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Carlos Drummond de Andrade
Carlos Drummond de Andrade não é apenas um dos maiores nomes das literaturas em língua portuguesa de todos os tempos - é uma das testemunhas mais atentas e sensíveis da história do Brasil do século XX. Conhecer sua vida e obra é, em alguma medida, conhecer uma parte significativa de nossa própria história.
Multitudinous Heart
In 1962 de Andrade published Antologia Poética, a personal anthology of poems from his first ten books. This selection draws on de Andrade's anthology to encompass his finest works within his chosen areas of interest: The Individual, Minas Gerais, Family, Friends, Social Confrontation, Experience of Love, Poetry Itself, and An Attempt to Understand Existence Feted as the most important - and premiere modernist - Brazilian poet of the twentieth century, Carlos Drummond de Andrade appears in Penguin Classics for the first time. His fans and translators have included Mark Strand, Lloyd Schwartz and Elizabeth Bishop.
Multitudinous Heart
"A selection of the finest poems from the preeminent Brazilian poet of the twentieth century"--
Looking for Poetry
Carlos Drummond de Andrade, one of the most revered Brazilian poets of the twentieth century, was born in 1902 in a small mining town; he died in Rio de Janeiro in 1987. His poems are, for the most part, bittersweet evocations of a small-town childhood, or, more emblematically, remorseful accounts of a lost world or simply discreet and sometimes ironic views of the way things are. Songs from the Quechua are translated from Spanish version of the folk poetry of the Quechua Indians of South America, collected and transcribed in the nineteenth century by priests and, more recently, by anthropologists. They convey a degree of tenderness that is unusual in any poetry. Rafael Alberti was born in 1902 in Spain and was in exile in Argentina during the Spanish Civil War. He died in 1999. These fifty poems provide an ample introduction to one of the twentieth century's great poets. -- From publisher's description.
Who's on First?
"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations that are by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic...
The Cambridge Companion to Latin American Poetry
This Companion provides a chronological survey of Latin American poetry, analysis of modern trends and six succinct essays on the major figures.
