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Monolingual, monolithic English is an issue of the past. In this collection, by using cinema, poetry, art, and novels we demonstrate that English has become the heteroglossic language of immigration – Englishes of exile. By appropriating its plural form we pay respect to all those who have been improving standard English, thus proving that one may be born in a language as well as give birth to a language or add to it one’s own version. The story of the immigrant, refugee, exile, expatriate is everybody’s story, and without migration, we could not evolve our human race.
THE REBELLED BODY PLAYS by Catalina Florina Florescu. Three Plays: MIA, SUICIDAL DOG AND LAIKA, and THREE AS IN A TRI-ANGLE, OR THE AFTERTASTES OF LIFE. Catalina Florina Florescu holds a Ph.D. in Comparative Literature from Purdue University with a double specialization in medical humanities and comparative theater. This collection is from NoPassport Press.
The poems comprised in this collection address issues related to loss, longing, desire, on the one hand, and social justice, inequality, and language, on the other hand. I have returned to poetry because I felt that only through this genre I may be able to transfer my latent feelings, push them outside of me. Writing poetry has made me reconnect with my own homo ludens, yet paradoxically I am now more fragmented and slippery than ever, a kaleidoscope ready to be deposited in my readers' hands.
2010 CHOICE Outstanding Academic Title How do concepts and constructions of the body shape people's experiences of agency and objectification within medical culture? As an object of scrutiny, the medicalized body occupies center stage in the work of doctors, nurses, medical examiners, and other medical professionals who mediate broader cultural understandings of pathology, illness, and the various physical transformations associated with life and death. The Body in Medical Culture explores how the body functions within medical culture and examines the metaphors and models of the body used to understand medical phenomena, including disease, diagnostic practices, wellness, anatomy, surgery, and medical research. Scholars from a wide range of disciplines engage representations of bodies, including polio and masculinity, sex reassignment surgery, drug marketing, endography, "designer vaginas," and hospital humor in order to challenge the normalcy of the passively objectified medicalized body.
The Baltimore Waltz, Vogel's most personal play, centers around the memory of a loved one lost to AIDS; the other plays include, Desdemona, The Oldest Profession, And Baby Makes Seven, and Hot 'n' Throbbing.
This book focuses on liminal bodies and their delicate transaction with themselves and other people’s bodies. More specifically, it explores the spatiality and discourses of the body dying; the body opened in surgery, or through MRIs, CATs, and sometimes in autopsies; the body preserved through computerized images such as those created by the Visual Human Project; the metonymic body that continues to live in another body through organ replacement; and the bodily parts cast in silver, and then abandoned in a museum. This study also analyzes the discourses of the contemporary body commissioned by the vast industry of mass-media. This type of body has started to direct itself toward frugal, a...
"In this collection, Cătălina Florina Florescu focuses on several contemporary Romanian female playwrights with residencies in Europe and the U.S. In their bold works, written by female playwrights who are academics, activists, and performers, we are invited to discover variations in the modus operandi of the dramatic language itself from metaphorical to matter-of-fact approaches. Furthermore, while all these playwrights speak Romanian, they also think and operate in various other languages, such as Romani, German, French, Italian, and American English. This book facilitates scholars and students to discover contemporary issues related to Romanian society as presented heavily from a feminine angle and to reveal intersectional issues as seen and applied to dramatic characters in a post-communist country from some authors who experienced communism first hand. The book is also an invitation to reinvent how we teach dramatic literature by offering 20 interactive, exploratory activities"--
As Noura and her husband Tariq prepare to celebrate a traditional Christmas, she looks forward to welcoming a special guest—Maryam, a young Iraqi refugee. But the girl’s arrival opens wounds the family has tried to leave behind, forcing them to confront where they are, where they’ve been and who they have become.
This book establishes play as a mode of humanistic inquiry with a profound effect on art, culture and society. Play is treated as a dynamic and relational modality where relationships of all kinds are forged and inquisitive interdisciplinary engagement is embraced. Play cultivates reflection, connection, and creativity, offering new epistemological directions for the humanities. With examples from a range of disciplines including poetry, history, science, religion and media, this book treats play as an object of inquiry, but also as a mode of inquiry. The chapters, each focusing on a specific cultural phenomenon, do not simply put culture on display, they put culture in play, providing a playful lens through which to see the world. The reader is encouraged to read the chapters in this book out of order, allowing constructive collision between ideas, moments in history, and theoretical perspectives. The act of reading this book, like the project of the humanities itself, should be emergent, generative, and playful.