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This edition offers everything needed by the newcomer to this famous but intimating text: images, maps, footnotes, and introductory essays by eighteen leading Joyceans.
James Joyce must be understood as drawing on French nineteenth- and twentieth-century literary innovations to grapple with the challenges of Paris.
'This thrilling, funny, perceptive detective story is in a class of its own.' The Times Children's Book of the Week 'A wittily told detective story about two eccentric and endearing girls - it's a real page-turner.' Jacqueline Wilson Absolutely wonderful! Nina Stibbe Lori wants to be a detective, but so far the most exciting mystery she has solved is the disappearance of her nan's specs down the side of the sofa. Max is the new girl at school and Lori is asked to look after her. Max is odd. She doesn't fit in - but then, Lori realises, she doesn't really fit in either. When some charity money goes missing and Max disappears, Lori seems to be the only person who doesn't think Max has stolen it and run away. Even the police don't want to investigate and suddenly Lori finds she has a real crime on her hands.
Pirates and crooked rulers make seventeenth-century Ireland a dangerous place. When Tom feels rejected by his father, he finds a secret second family among the group of smugglers who trade in and around Roaringwater Bay. Though Tom doesn't know it, his family in the Big House is under huge pressure. His father has had savage losses in business; his mother is always sad and worried, and his sisters have no hopes for a good future. This is seventeenth-century Ireland when cut-throat interests control everybody and everything, and land-grabbing is the order of the day. Friend turns into foe, and loyalty counts for nothing. From his new family, Tom learns all about boats and smuggling – and secret treasure. And then Tom discovers the best-kept secret of all ...
58th-77th reports, 1893-1912, contain Catalogues of publications in the New York point system, including musical works.
A LONG THE KROMMERUN offers a selection of the best papers delivered at the XXIV International James Joyce Symposium hosted by Utrecht University, the Netherlands, June 2014. The essays offer fresh insights into Joyce and De Stijl aesthetic movement which originated in the Netherlands, Joyce’s (language) politics, his use of multilingualism and dialects, and, by way of close readings and genetic approaches of Finnegans Wake, the intricate ways Joyce communicates with his readers. Contributors: Boriana A. Alexandrova, Stephanie Boland, Austin Briggs, Tim Conley, Catherine Flynn, Philip Keel Geheber, Robbert-Jan Henkes, Maria Kager, Katherine O’Callaghan, So Onose, David Pascoe, Sam Slote, David Spurr, and Dirk Van Hulle.