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The Precarious
Two works in one. this is an exquisite art book offering the first comprehensive treatment of Vicuna's work in English.
Read Thread
From the 1970s to the present, Chilean artist, poet and filmmaker Cecilia Vicuas (b. 1948) work has used red thread to visually and poetically engage with rituals from Aboriginal Australia, South Africa, Paleolithic Europe and pre-Columbian America. Vicuas performances, site-specific installations, paintings and drawings relate to the symbolic function of textile and language in terms of femininity, maternity and the support and continuation of life. Published on the occasion of Vicuas installation in Athens for dOCUMENTA (14), Read Thread tells the story of the sanguine thread in Vicuas worka kind of weaving-as-writingand conveys the tension of ecological disaster and reparation as well as a bodily sense of the cosmic scale of landscape, history and time. Alongside historical and recent documentation of Vicuas large-scale installations, the softcover publication extensively illustrates her drawings, poetic texts and narratives relating the works to their political and historical context. Essays by dOCUMENTA (14) curator Dieter Roelstraete and art historian Jos de Nordenflycht Concha complete the book.
The Oxford Book of Latin American Poetry
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
New and Selected Poems
Poetry. Latinx Studies. Art. Edited by Rosa Alcalá. NEW AND SELECTED POEMS OF CECILIA VICUÑA is a telling of old cultures, modern nation states and lives in exile. Rodrigo Toscano calls Vicuña's poetry "the outer out, beyond nation states, passed 'inter state' affairs, in other words, close in, as close as we get to our fair planet's sources, and to each other." In this bilingual collection, Vicuña and her translator, Rosa Alcalá, are artist witnesses to a natural world that is a storehouse of sacred words, seeds, threads and songs. Present everywhere, they are sources for a rebalancing in human relationships and for new forms of grace and healing. In Vicuña's vision, art is life and intimacy with it is transformative.
On Line
On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. In a revolutionary departure from the institutional definition of drawing and from reliance on paper as the fundamental support material, artists instead pushed the line into real space, expanding the medium's relationship to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published in conjunction with an exhibition at The Museum of Modern Art, On Line presents a discursive history of mark-making through nearly 250 works by 100 artists, including Aleksandr Rodchenko, Alexander Calder, Karel Malich, Eva Hesse, Anna Maria Maiolino, Richard Tuttle, Mona Hatoum and Monika Grzymala, among many others. Essays by the curators illuminate individual practices and examine broader themes, such as the exploration of the line by the avant-garde and the relationship between drawing and dance.
Spit Temple
Poetry/Performance. Latino/Latina Studies. Art. Edited by Rosa Alcala. SPIT TEMPLE collects texts and transcriptions of Vicuna's uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcala, a poetic memoir by Vicuna (translated by Alcala) addressing her life
Saborami
Poetry. Latino/Latina Studies. Art. First published in 1973, two months after the military coup in Chile, Cecilia Vicuna's SABORAMI is a document of the times and the way in which history can change art. It is filled with the urgent hope that art, too, can change history. Put together when Vicuna was just twenty-five years old, the poems, paintings, and objects of SABORAMI enact a complex and multidimensional conversation. The meanings of the works (which were created over a seven year period) shifted radically after the events of September 11, 1973. Their meanings continue to shift and resonate in light of political events today. This recreation of the original SABORAMI is published with a new afterword Vicuna wrote especially for this edition."
Instan
Poetry. Art. Includes drawings by the writer. Cecilia Vicuna's INSTAN is composed in handwrittenlines that move across the page with the instantaneousfeeling of marks in a private journal, the booktransmits the energy of her performative works, wherethread and poetic lines play at being one. The word/drawings are certain and fragile. In theirpower to preserve and transform, they offer hope inart and daily speech for radical change. "Cecilia Vicuna, born and raised in Santiago de Chile, has been an exile since the early 1970s. Vicuna has never accepted the boundaries between cultural disciplines, creating a terrain of her own ..." Lucy Lippard, "The Precarious" The Art and Poetry of Cecilia Vicuna."
