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Picturing a Nation
Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.
Fighting Words and Images
Fighting Words and Images is the first comprehensive interdisciplinary and theoretical analysis of war representations across time periods from Classical Antiquity to the present day and across languages, cultures, and media including print, painting, sculpture, architecture, and photography. Featuring contributions from across the humanities and social sciences, Fighting Words and Images is organized into four thematically consistent, analytically rigourous sections that discuss ways to overcome the conceptual challenges associated with theorizing war representation. This collection creatively and insightfully explains the nature, origins, dynamics, structure, and impact of a wide variety of war representations.
Picturing America
Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.
The Arts of Leading
"This multi-author volume turns to the humanities to explore what we can learn about leadership when we shift our lens away from business, politics, and the social sciences to explore the rich, diverse, and nuanced perspectives of the liberal arts. Drawing insights from leading scholars in classics, philosophy, religion, literature, history, and the visual and performing arts, this book considers how diverse exemplars and a wide range of disciplinary ways of knowing can illuminate complex aspects of leadership that are often obscured in a leadership discourse typically centered on business and politics. It asks fundamental questions about human social life: What does it mean to lead? Whom do...
George Bellows Revisited
This essay collection, by scholars from both the United States and Europe, carefully examines the artwork of one of the most important 20th-century American painters and printmakers, George Bellows. It builds on the Columbus Museum of Art’s 2013 exhibition, George Bellows and the American Experience, and the National Gallery of Art’s 2012 exhibition, George Bellows. The volume offers innovative research that explores his oeuvre from multiple viewpoints. The essays challenge widely held perceptions of Bellows, such as his Americanness, hyper-masculinity, patronage, response to the World War I, and his relationship to fellow artist Edward Hopper. This is an essential collection for any serious study on Bellows’ work.
Grand Illusions
War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.
The Rape of the Masters
In this witty and provocative book, a noted art critic shows how academic art history is increasingly held hostage to radical cultural politics--feminism, cultural studies, postcolonial studies, and the whole armory of academic antihumanism.
Aaron Burr in Exile
Aaron Burr--Revolutionary War hero, third vice president of the United States and a controversial figure of the early republic--was tried and acquitted of treason charges in 1807, and thereafter departed for self-imposed exile in Europe, his political career in ruins. Adrift in Paris for 15 months, he led a marginal existence on the run from creditors and the courts, getting by on handouts. While other Americans in Paris enjoyed official status that insulated them from life in the capital, Burr dreamed up fruitless schemes and pawned his possessions, yet remained in high spirits, enjoying Parisian theater and cafes. He shopped, flirted, paid for sex and associated with friends old and new while gathering the resolve to return to America. Burr's Paris journal is a rare item, with only 250 unexpurgated copies printed in 1903. In it he relates his fascinating stories and describes Parisian life at the height of Napoleon's power. Drawing on Burr's journal and other sources, this book provides a self-portrait of the down-and-out Founding Father abroad.
World War I and American Art
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
