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Women's Writing in Colombia
Winner of the Montserrat Ordóñez Prize 2018 This book provides an original and exciting analysis of Colombian women’s writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country’s history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.
Paul Celan Today
Marking Paul Celan's 100th birthday and the 50th anniversary of his death, this volume endeavours to answer the following question: why does Celan still matter today – more than ever perhaps? And why should he continue to matter tomorrow? In other words, the volume explores and assesses the enduring significance of Celan's life and œuvre in and for the 21st century. Boasting cutting-edge research by international scholars together with original contributions by contemporary artists and writers, this book attests to, on the one hand, the extent to which large swathes of contemporary philosophy, poetics, literary scholarship, and aesthetics have been indebted to Celan's legacy and are simply unthinkable without it, and, on the other hand, to the malleability, adaptability, breadth and depth of Celan's poetics, which, like the music of The Beatles, Led Zeppelin, or Queen, is reborn and rediscovered with every new generation.
Taking Form, Making Worlds
2023 LASA Visual Culture Studies Section Book Prize, Latin American Studies Association (LASA) The first comprehensive study of cartonera, a vibrant publishing phenomenon born in Latin America. A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, it has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hand...
Literary Reimaginings of Argentina’s Independence
An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. As the moment of the birth of the patria, Independence enjoys a privileged role in the historical imaginary of many Latin American nations. In Argentina as in other countries, the period has been fundamental to state discourses of nation-building and identity, lending its figures and central narratives a powerful symbolic function. It has also attracted significant literary attention, and this book offers an innovative reading of texts that provide irreverent, metafictional, or self-reflexive retellings of this foundational moment. This type of fiction is usually read throug...
Human Rights in Colombian Literature and Cultural Production
This volume explores how Colombian novelists, artists, performers, activists, musicians, and others seek to enact—to perform, to stage, to represent—human rights situations that are otherwise enacted discursively, that is, made public or official, in juridical and political realms in which justice often remains an illusory or promised future. In order to probe how cultural production embodies the tensions between the abstract universality of human rights and the materiality of violations on individual human bodies and on determined groups, the volume asks the following questions: How does the transmission of historical traumas of Colombia’s past, through human rights narratives in vari...
Insurgent Women
Why do women go to war? Despite the reality that female combatants exist the world over, we still know relatively little about who these women are, what motivates them to take up arms, how they are utilized by armed groups, and what happens to them when war ends. This book uses three case studies to explore variation in women’s participation in nonstate armed groups in a range of contemporary political and social contexts: the civil war in Ukraine, the conflicts involving Kurdish groups in the Middle East, and the civil war in Colombia. In particular, the authors examine three important aspects of women’s participation in armed groups: mobilization, participation in combat, and conflict cessation. In doing so, they shed light on women’s pathways into and out of nonstate armed groups. They also address the implications of women’s participation in these conflicts for policy, including postconflict programming. This is an accessible and timely work that will be a useful introduction to another side of contemporary conflict.
Southerly
Short stories of subtle menace and Lydia Davis-esque humor. On the eve of an important battle, a colonel is visited in his tent by an indigenous woman with a message to pass on. A man sets about renovating the house of his childhood, and starts to feel that he might be rebuilding his own life in the process. At a private clinic to treat the morbidly obese, a caregiver has issues of her own... These are stories of immigration, marginality, history, intimacy and obsession. They each present their own distinctive view of the world through the lives of their respective characters – who are as dissimilar as they are complex – and the profound transformations they undergo. As reflections on the uncontrollable nature of life, as depictions of how even the most innocent detail can become a threat, these stories do not offer neat endings but rather remain open to the reader’s sense of inquisitiveness.Southerly is a perfect introduction to what has been called ‘the Consiglian logic of story-telling’ (Cabezón Cámara), in which events don’t always occur sequentially, and where the reader quickly learns to tiptoe between the tiniest of details, as if walking through a minefield.
Libraries Amid Protest
Part 1. Definition of a protest library -- Origins (BiblioSol, Madrid) -- Materiality and virtuality (BiblioSol, Madrid) -- Behavior in space (OWS People's Library, New York) -- Visual spectacle (OWS People's Library, New York) -- Library as a democratic institution (NYPL Central Library, New York) -- Part 2. Libraries and undercurrents -- Carnegie's influence (Biblioteca Popular, Oakland, CA) -- Library as social space (Biblioteca Popular, Oakland, CA) -- Borders and barricades (Gezi Park Library, Istanbul) -- A library without books (Maidan Library, Kiev) -- Lenin's influence (Library of Ukrainian Literature, Moscow) -- Part 3. Reinvention -- The new shape of space (BiblioDebout Paris) -- Phases of the protest library (BiblioDebout Lyon) -- Reinvention as collective (Freedom Square Library, Chicago) -- Circling back (BiblioSol reinvented as Tres Peces Tres, Madrid).
Southerly
On the eve of an important battle, a colonel is visited in his tent by an indigenous woman with a message to pass on. A man sets about renovating the house of his childhood, and starts to feel that he might be rebuilding his own life in the process. At a private clinic to treat the morbidly obese, a caregiver has issues of her own...Jorge Consiglio presents a universe of seemingly unrelated tales, linked perhaps by a certain rhythm in the prose or the subtle dimensions of violence and perversion. These are stories of immigration, marginality, history, intimacy and obsession which are masterful and deeply touching. They each present their own distinctive view of the world through the lives of...
A Musical Offering
"In the 18th century, Count Keyserling commissions Johann Sebastian Bach to compose a piece of music that will finally allow him to fall asleep. Bach, surpassing all expectations, creates an aria containing thirty variations that became known as the Goldberg Variations, in honour of its first performer, put in charge of playing the piece night after night until the count fell asleep. With this story, Luis Sagasti opens a hypnotic tale full of counterpoints that, just like the Variations, sets out to follow the turns of a melody so as to arrive at the final aria - where everything begins again."--Publisher.
