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The first children's book about Dale Chihuly, the world-renowned glass sculptor His crew calls him Maestro. Thousands of fans call him a magician. Over the past five decades, Dale Chihuly (b. 1941) has created some of the most innovative and popular works of art in museums and gardens around the world. Authors Jan Greenberg and Sandra Jordan met with Chihuly in his studio for exclusive interviews discussing his early life, his passion for glassblowing, and his dazzling works. Lavishly illustrated with Chihuly's art and family photographs, this book discusses Chihuly's workshop and his glassblowing technique. The book includes a step-by-step look at how blown glass is created, a list of places to see Chihuly's artwork, endnotes, a bibliography, and an index.
Internationally acclaimed artist Dale Chihuly's site-specific installations in the form of architectural commissions and exhibitions Forty years of Dale Chihuly's spectacular site-specific glass installations are captured in this large-format publication examining architectural commissions, temporary art installations, and museum exhibitions around the world. Chihuly's installations on walls, windows, ceilings, stairways, courtyards, and fountains are closely examined. Chihuly and Architecture explores entire rooms and galleries, glasshouses and castles, and travels from the canals of Venice to the Citadel in the Old City of Jerusalem, providing rare insight into Chihuly's inspiration and global footprint.
Chihuly is a supremely imaginative master of technique and bravura. Extraordinary, magical glass is his stock-in-trade, and the Silvered series is among the most technically ambitious and aesthetically adventurous art of his career so far. Jennifer Opie, from the introduction Though Chihuly first experimented with the effects of silvered glass in 1996, it wasn't until 2009 that he began to explore the full range of possibilities that silvering glass could have for his work, in particular in his Cylinder and Venetians series. The Silvered series that emerged from this experimentation is remarkably striking and singular for its stunning use of color and light. By using silvered glass Chihuly is able to extend the reflective quality of the glass to manipulate the colors in the works and, in some cases, to magnify the dimensionality and articulation of form. With an introduction by Jennifer Opie that places Chihuly's silvered glass in its broader historical context, Chihuly Silvered is the first comprehensive survey of Dale Chihuly's work using silvered glass showcasing the unique beauty of his newest series.
Dale Chihuly's Ulysses Cylinders-with drawings by Seaver Leslie adapted to glass-follow the course of James Joyce's Ulysses. They capture the spirit of the novel and its place in Irish culture, bringing new light to one of the masterpieces of the 20th Century.Striking, enigmatic, and provocative, the Cylinders stand as some of Chihuly's most intellectually compelling and unique works. In this new book, stunning images of the Cylinders are accompanied by essays from art and literary critics which frame the history and significance of both Chihuly's work and the work of Joyce.
"Drawing on the museum's historic Renaissance collections and expertise, the book also explores the development of the Venetian glass workshop and Chihuly's enormous influence in introducing it and Venetian glassmakers to the United States. It also includes a brief resume of his career and an assessment of his art and its significance."--BOOK JACKET.
Team Chihuly describes the relationship and developement between master glassblower Dale Chihuly as well as other renowned artists including Dante Marioni, Benjamin Moore, William Morris, and Richard Royal as well as Italian Glass Masters, Pino Signoretto and Lino Tagliapietra.
Bound like an artist's sketchbook this book documents the culmination of this amazing artistic odyssey that took the artist from his Seattle Boathouse hot shop to Nuutajarvi, Finland; Waterford, Ireland; Monterrey, Mexico; and finally Venice to blow glass. In the factories in those locations, Chihuly and his team of American glass blowers worked with native artisans more accustomed to making functional objects than art. Together they created the 14 chandeliers that graced the campos and canals of Venice for a remarkable time in September 1996. In her essay Dana Self, curator of the Kemper Museum of Contemporary Art and Design, muses on the relationship of Chihuly's glass and 'The Spectacle of Beauty'. She concludes that Chihuly's fantastical explorations demonstrate that beauty does produce a meaningful experience of the world. Writer William Warmus chronicles the culmination of this two-year project with his diary entries. Full-colour photographs record for readers the installations as they were assembled. An extensive chronology traces the artist's career.
Every time I visited the Citadel, I would imagine what I could do to enhance its glory and bring attention to its soul, says artist Dale Chihuly of his recent project in Jerusalem. In July 1999, Chihuly's grandest and most ambitious undertaking opened at the Citadel, and will remain there for a year. Chihuly in the Light of Jerusalem 2000 serves as a focal point for the city's millennium celebration. This volume highlights 14 major installations commissioned by the Tower of David Museum of the History of Jerusalem. The exhibition is made up of more than 10,000 pieces of glass, blown in France, Japan, the Czech Republic, Finland, Israel, and the United States. Within the walls of the Citadel, Chihuly unexpectedly married ancient and modern forms, animating the stone architecture with glass. Mediterranean sunlight illuminates the Blue Tower, the red and yellow Spears, the Moon, and the Crystal Mountain. Chihuly has transformed the Citadel, once a defensive fortress, into a garden of colour and celebration. Commentary by William Warmus.
The Taos Pueblo Exhibition is the beginning of an exploration of the wonders of glass art. We began this trail of beauty with a guide, Dale Chihuly, who made this art his life, say the leaders of the Taos Pueblo. Dale Chihuly made his first trip to the Southwest in 1974. A year later, he was deeply affected by a museum collection of Navajo Blankets and began to experiment with simple, cylindrical forms, which became the Navajo Blanket Cylinders. Boasting ingeniously applied patterns of colourful glass threads, the series became an important milestone from which his art evolved. The most obvious influence of this early series is visible in the Soft Cylinders, more irregularly shaped and elabo...
Dale Chihuly is arguably the best known glass artist in the world. Each title in the 'Chihuly Mini Book' series takes readers on a visual tour of Chihuly's work, exploring what makes each of his genres unique.