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The Adventures of Wound Man & Shirley
Shirley is a teenage boy with a girl’s name, growing up in suburbia and feeling like the weirdest kid in the school. Nothing makes much sense to him, and his heart belongs to a classmate who barely knows he exists. Wound Man is an unconventional superhero, sprung from the pages of a medieval medical textbook, with an alarming assortment of weapons sticking out from every part of his body. Wound Man has just moved into a house on Shirley’s street – and he happens to have a vacancy for a teenage sidekick... A funny and touching story by Chris Goode about two unlikely friends and the adventures they share.
The Author
Winner of the 2010 Whiting Award for best new play.Winner of the 2010 Total Theatre Award for Innovation. Nominated in the Evening Standard Theatre Awards 2010. Settle back into the warmth of the theatre. Relax as the story unfolds. For you. With you. Of you. A story of hope, violence and exploitation. Laugh with the actors, tap your feet to the music, turn to your neighbour. You’re here. The Author tells the story of another play: a violent, shocking and abusive play written by a playwright called Tim Crouch and performed at the Royal Court Theatre. It charts the effect that play had on the two actors who acted in it and an audience member who watched it. The Author explores our responsibilities to what we choose to look at in the world and how we choose to act accordingly. Performed within its audience, it is a brilliantly inventive and theatrical study of what we deem acceptable in the name of Art.
Monkey Bars
'When you're a child you don't really think... cos you like to live like a child. Doesn't really seem you're just going to be an adult. Like time flies by and you just want... to, like, stay as a child, but you just enjoy things, the way it goes.' Award-winning writer Chris Goode teamed up with Karl James (The Dialogue Project) to ask thirty 8-10 year olds to talk about their lives, their thoughts, their world. In Monkey Bars their words are spoken by adults. Not adults playing children, but adults playing adults, in adult situations. Monkey Bars is a revelatory verbatim show that is funny, touching and endlessly surprising. Winner of a 2012 Fringe First Award.
Passionate Amateurs
A rich, historically grounded exploration of why theater and performance matter in the modern world
Theatre Blogging
In this epic history-cum-anthology, Megan Vaughan tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today's digital newsletters and social media threads. Contextualising the key debates of fifteen years of theatre history, and featuring the writings of over 40 theatre bloggers, Theatre Blogging brings past and present practitioners into conversation with one another. Starting with Encore Theatre Magazine and Chris Goode in London, George Hunka and Laura Axelrod in New York, Jill Dolan at Princeton University, and Alison Croggon in Melbourne, the work of these influential early adopters is considered alongside those who followed them. Vaughan e...
Men in the Cities
Winner of a Scotsman Fringe First Award 2014 Framed by two violent deaths – the apparently inexplicable suicide of a young gay man, and the murder of Drummer Lee Rigby outside the Royal Artillery Barracks in Woolwich in May 2013 – Men in the Cities is a compelling piece about harm and complicity, and about the forces that shape our relationships. Through fractured snapshots of seemingly disconnected lives, Men in the Cities presents a challenging but radically humane portrait of how we live now.
The Creative Critic
As practitioner-researchers, how do we discuss and analyse our work without losing the creative drive that inspired us in the first place? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists in a variety of fields, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one’s own work and the work one is inspired by. It re-thinks the conventions of the scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Finding ways to make the intangible nature of much of our work ‘count’ under assessment has become increasingly important in the Academy and beyond. The Creative Critic offers an inspiring and useful sourcebook for students and practitioner-researchers navigating this area. Please see the companion site to the book, http://www.creativecritic.co.uk, where some of the chapters have become unfixed from the page.
The Live Art Almanac
Drawing together all kinds of writing about and around Live Art, The Live Art Almanac is both a useful resource and a great read for artists, writers, students and others interested in the field of interdisciplinary, performance-based art. The Live Art Almanac Volume 4 is? a collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy. Live Art is experiencing a huge ?surge in interest with major museums embracin...
Beginning Dreamweaver?MX 2004
This outstanding team of authors shows you how easy it can be to create and maintain dynamic, powerful Web sites using Dreamweaver MX 2004. Our hands-on tutorials guide you step by step through building three complete Web sites: a personal site, a dynamic sports site complete with user preferences, and a configurable company Web site built from reusable components. Along the way, you will learn all the skills you need to work confidently with Dreamweaver MX 2004. You will also learn about Dreamweaver MX 2004's built-in support for ASP, ASP.NET, JavaServer™ pages, PHP, and ColdFusion® MX programming languages. What you will learn from this book This book will show you how to: Understand an...
How to Write About Theatre
What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you gave it a five-star rave will anyone believe you? Drawing on his long years of experience as a national newspaper critic, Mark Fisher answers such questions with candour, wit and insight. Learning lessons from history's leading critics and taking examples from around the world, he gives practical advice about how to celebrate, analyse and discuss this most ephemeral of art forms - and how to make your writing come alive as you do so. Today, more people than ever are writing about theatre, but whether you're blogging, tweeting or writing an academic essay, your challenges as a critic remain the same: how to capture a performance in words, how to express your opinions and how to keep the reader entertained. This inspirational book shows you the way to do it. Foreword by Chris Jones, Chief theater critic, Chicago Tribune
