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Nínay
Published just two years before José Rizal's national epic, Touch Me Not, Pedro A. Paterno's Nínay is a cultural novel that portrays Philippine society to an international non-Filipino audience. Considered to be the first novel published by a Native Filipino author, Nínay follows the life, love and death of a young woman named Antonina Milo y Buisan, or "Nínay" for short. Her story is told by a young man named Taric to an unknown narrator over the course of the nine-day vigil of Pasiyam. Recounting the passionate affair in the time of cholera between Nínay and the highly regarded Don Carlos Mabagsic, Taric explores the journey of two young lovers and the events that lead to their eventual separation. Professionally typeset with a beautifully designed cover, this edition of Nínay is a reimagining of a Filipino classic for the modern reader.
Between the Homeland and the Diaspora
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Of Love and Papers
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Of Love and Papers explores how immigration policies are fundamentally reshaping Latino families. Drawing on two waves of interviews with undocumented young adults, Enriquez investigates how immigration status creeps into the most personal aspects of everyday life, intersecting with gender to constrain family formation. The imprint of illegality remains, even upon obtaining DACA or permanent residency. Interweaving the perspectives of US citizen romantic partners and children, Enriquez illustrates the multigenerational punishment that limits the upward mobility of Latino families. Of Love and Papers sparks an intimate understanding of contemporary US immigration policies and their enduring consequences for immigrant families.
Balik-Tanaw: The Road Taken
Balik-Tanaw: The Road Taken is the memoir of the distinguished Filipino critic, Soledad S. Reyes. This book is a record of Reyess journey of more than seven decades where personal narrative intertwines with people and events, with social and political movements with which the country sought to negotiate the treacherous shoals in the postwar years. The account carries a fair amount of biographical data (as lodged in the critics memory in the absence of diaries), from her childhood into her college years. But as the context becomes wider and more complex, the narrative takes on a more analytical frame as she tries to make sense of disparate experiences whirling about her in the tumult of the 1970s and beyond, and in the startling changes in the political landscape, local and global, that now grip the Filipino nation. This account, according to the author, is a story of an individual constructing a narrative that seeks to impose order upon chaos by retrieving aspects of the past and weaving a series of recalcitrant experiences into a coherent whole. Published in association with De La Salle University Publishing House
