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Artificial Life
This book brings together a series of overview articles that appeared in the first three issues of the groundbreaking journal Artificial Life.
How We Became Posthuman
In this age of DNA computers and artificial intelligence, information is becoming disembodied even as the "bodies" that once carried it vanish into virtuality. While some marvel at these changes, envisioning consciousness downloaded into a computer or humans "beamed" Star Trek-style, others view them with horror, seeing monsters brooding in the machines. In How We Became Posthuman, N. Katherine Hayles separates hype from fact, investigating the fate of embodiment in an information age. Hayles relates three interwoven stories: how information lost its body, that is, how it came to be conceptualized as an entity separate from the material forms that carry it; the cultural and technological con...
Complexity
Science magazine reporter Waldrop introduces researchers--rebellious graduate students, Nobel laureates, and pragmatic businessmen--who are formulating surprising answers to complex questions about the universe. Line drawings.
Artificial Life
"In September 1987, the first workshop on Artificial Life was held at the Los Alamos National Laboratory. Jointly sponsored by the Center for Nonlinear Studies, the Santa Fe Institute, and Apple Computer Inc, the workshop brought together 160 computer scientists, biologists, physicists, anthropologists, and other assorted ""-ists,"" all of whom shared a common interest in the simulation and synthesis of living systems. During five intense days, we saw a wide variety of models of living systems, including mathematical models for the origin of life, self-reproducing automata, computer programs using the mechanisms of Darwinian evolution to produce co-adapted ecosystems, simulations of flocking...
The Garden in the Machine
What is life? Is it just the biologically familiar--birds, trees, snails, people--or is it an infinitely complex set of patterns that a computer could simulate? What role does intelligence play in separating the organic from the inorganic, the living from the inert? Does life evolve along a predestined path, or does it suddenly emerge from what appeared lifeless and programmatic? In this easily accessible and wide-ranging survey, Claus Emmeche outlines many of the challenges and controversies involved in the dynamic and curious science of artificial life. Emmeche describes the work being done by an international network of biologists, computer scientists, and physicists who are using compute...
The Shock of Medievalism
An attempt to disrupt, critique and question the practices and assumptions of medieval studies in light of recent theoretical debates in postmodern, queer, feminist, and post-colonial theory.
Simulation
Digitalization has transformed the discourse of architecture: that discourse is now defined by a wealth of new terms and concepts that previously either had no meaning, or had different meanings, in the context of architectural theory and design. Its concepts and strategies are increasingly shaped by influences emerging at the intersection with scientific and cultural notions from modern information technology. The new series Context Architecture seeks to take a critical selection of concepts that play a vital role in the current discourse and put them up for discussion. In the context of discussions of the medial, the notion of simulation plays a central role in architecture as illusion and...
MediaArtHistories
Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood wit...
