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A Rebellious Woman is based on the life story of Belle Boyd (1844-1900), whose coming of age coincided with the opening shots of the Civil War. Debutante, teenaged spy, seductress, actress, divorcee, cross-dresser, and self-promoter, she carried a pistol and wasn't afraid to use it. In a century when a woman was meant to be nothing more than a well-behaved wife and mother, Belle Boyd stands out as a scandalous woman of history defying all the rules.
Mary Clare Griffin shares her story as one of the forgotten survivors in Language Lessons. This gripping memoir pulls no punches. Griffin writes with raw intensity throughout the ordeal, from the sexual abuse she suffered as a child to the emotional and physical estrangement from her mother and the rest of the family. It is only with her mother's diagnosis and eventual death from breast cancer that the author can begin to rise up and overcome the fears, sorrows and agonies that paralyzed her emotionally and left her flailing in a downward spiral. It is uncommon for such raw, intimate tragedy to be addressed so artistically and poetically, as Griffin triumphantly does. Language Lessons is for the survivors, those who are left behind. Anyone who knows the pain and heartbreak of losing a friend or family member to cancer will relate to this book.
From the mid-sixteenth to the mid-nineteenth century Russia was transformed from a moderate-sized, land-locked principality into the largest empire on earth. How did systems of information and communication shape and reflect this extraordinary change? Information and Mechanisms of Communication in Russia, 1600-1850 brings together a range of contributions to shed some light on this complex question. Communication networks such as the postal service and the gathering and circulation of news are examined alongside the growth of a bureaucratic apparatus that informed the government about its country and its people. The inscription of space is considered from the point of view of mapping and the...
Pirates and smugglers, ghost ships and sea-serpents, fishermen’s prayers and sailors’ rituals – the coastline of the British Isles plays host to an astonishingly rich variety of local legends, customs, and superstitions. In The Fabled Coast, renowned folklorists Sophia Kingshill and Jennifer Westwood gather together the most enthralling tales and traditions, tracing their origins and examining the facts behind the legends. Was there ever such a beast as the monstrous Kraken? Did a Welsh prince discover America, centuries before Columbus? What happened to the missing crew of the Mary Celeste? Along the way, they recount the stories that are an integral part of our coastal heritage, such as the tale of Drake’s Drum, said to be heard when England was in peril, and the mythical island of Hy Brazil, which for centuries appeared on sea charts and maps to the west of Ireland. The result is an endlessly fascinating, often surprising journey through our island history.
The Life Cycle of Russian Things re-orients commodity studies using interdisciplinary and comparative methods to foreground unique Russian and Soviet materials as varied as apothecary wares, isinglass, limestone and tanks. It also transforms modernist and Western interpretations of the material by emphasizing the commonalities of the Russian experience. Expert contributors from across the United States, Canada, Britain, and Germany come together to situate Russian material culture studies at an interdisciplinary crossroads. Drawing upon theory from anthropology, history, and literary and museum studies, the volume presents a complex narrative, not only in terms of material consumption but also in terms of production and the secondary life of inheritance, preservation, or even destruction. In doing so, the book reconceptualises material culture as a lived experience of sensory interaction. The Life Cycle of Russian Things sheds new light on economic history and consumption studies by reflecting the diversity of Russia's experiences over the last 400 years.
In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.
Introduction: "He is still out there"--What came before zero? -- The cluster study -- "Humanizing this disease" -- Giving a face to the epidemic -- Ghosts and blood -- Locating Gaétan Dugas's views -- Epilogue: zero hour-making histories of the North American AIDS epidemic