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"Modern architecture, except on its engineering side, has not yet found itself." So stated Claude Bragdon in this 1915 book. An architect himself-and one of the most fascinating thinkers of the early 20th century-Bragdon here blames the urban disconnect from the natural world for the dearth of ornamentation to rival ancient civilizations, which drew inspiration from nature. As an alternative, Bragdon offers geometry as an appropriately modern, scientific inducement to ornament, and delves into the mystical mathematics of magic lines and magic squares, of tesseracts and hyperspheres, demonstrating their beauty and grace. Complete with charming line drawings of historical architecture and new,...
Think of the fourth dimension, not as a new region in space... but as a principle of growth, of change... -from "The Fourth Dimension as Time" This 1913 treatise on the intersection of the mystical and the mathematical implied by Einstein's 1905 special theory of relativity is now considered a classic of philosophical physics. Claude Bragdon here first proposed the now mathematically commonplace concept of the "hypercube," or four-dimensional cube (he incorporated 4-D designs into some of his architectural projects), and explores his radical and provocative ideas about the mathematical structure of the universe. Complete with a gallery of Bragdon's gorgeous line drawings illustrating higher ...
The first biography of Claude Bragdon, an early and unique, but often overlooked, advocate of architectural modernism.
Few Americans have had as many creative lives as Claude Bragdon who designed theatrical sets and churches, who dabbled in theosophy and the occult, who wrote about it all with spirit, passion, and penetrating insight. Here, in delightfully effervescent prose, Bragdon tells the story of his life-or lives. From his Personal Life ("Born under the constellation Leo, the heart sign, I was never long out of love") to his Occult Life ("I frightened [my mother] by declaring that I was the chosen vessel for the pouring out of a new revelation upon mankind"), Bragdon is surprisingly frank, frequently hilarious, and always wonderfully self-deprecating. First published in 1917, this is an intimate dispa...
"Architecture and Democracy" is a thought-provoking book written by Claude Bragdon, exploring the relationship between architecture and the principles of democracy. With a keen understanding of both architectural theory and democratic ideals, Bragdon delves into the ways in which architecture can reflect and shape the social fabric of a democratic society. Bragdon explores various architectural styles, urban planning principles, and historical examples to illustrate the relationship between built environments and democratic values. He advocates for the democratization of architecture, where the design and development of public spaces are driven by the needs and aspirations of the people they serve. "Architecture and Democracy" challenges readers to reevaluate their understanding of architecture as more than just a functional endeavor, but as a means to foster social cohesion, equality, and democratic ideals. Bragdon's book serves as a call to architects, urban planners, and policymakers to consider the social and political implications of their work, and to embrace a design philosophy that prioritizes inclusivity, accessibility, and the well-being of the community.
The partial waking state is the soil in which remembered dreams develop most luxuriously.... Such dreams belong to both worlds, partly to the three-dimensional and partly to the fourth-dimensional. -from "Sleep and Dreams" One of the most extraordinary figures of the popular intellectualism of the early 20th century, Claude Bragdon was an architect and designer who turned his mathematically fueled artistic bent toward the metaphysical... and anticipated the new quantum physics with a philosophy of existence that bridged the rational and the transcendent. Here, in this lyrical exploration of the expansiveness of human consciousness-first published in 1916-Bragdon considers how humanity's ever...
There are a number of recent texts that draw on psychoanalytic theory as an interpretative approach for understanding architecture, or that use the formal and social logics of architecture for understanding the psyche. But there remains work to be done in bringing what largely amounts to a series of independent voices, into a discourse that is greater than the sum of its parts, in the way that, say, the architect Peter Eisenman was able to do with the architecture of deconstruction or that the historian Manfredo Tafuri was able to do with the Marxist critique of architecture. The discourse of the present volume focuses specifically for the first time on the subject of the unconscious in rela...
"The Beautiful Necessity" by Claude Fayette Bragdon is a captivating exploration of the principles of design and the interplay between art, nature, and spirituality. In this seminal work, Bragdon argues that beauty is not merely an aesthetic quality but an essential aspect of existence, permeating all aspects of life and imbuing the universe with meaning and purpose. At the core of Bragdon's philosophy is the belief that beauty is not a luxury but a fundamental necessity for human flourishing. Drawing upon insights from philosophy, mathematics, and mysticism, he traces the evolution of aesthetic principles throughout history and explores their implications for art, architecture, and everyday...
Claude Bragdon (1866-1946) was a first-generation modernist architect, as well as an illustrator, critic, theorist and theater designer. Bragdon practiced architecture in Rochester, New York throughout the Progressive Era. Although his masterpiece, the New York Central Railroad Station, was demolished in the 1960s-70s, the First Universalist Church, the Bevier Memorial Building, the Peterborough Bridge near Toronto, and nearly 100 residences remain today. A prolific and influential writer, Bragdon published more than twenty books and hundreds of articles. He was nationally known for his graphic art, his writing on the fourth dimension, his Song & Light Festivals of 1915-1918, and his role in...