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Examines the South American country that is destined to be one of the world's premier economic powers by the year 2030, and considers some of the abundant problems the nation faces.
Presents a critical and historical study of European writers and theorists of Socialism in the one hundred fifty years leading to the Bolshevik Revolution of 1917 and discusses European socialism, anarchism, and theories of revolution.
Imagining Brazil provides a comprehensive and multifaceted picture of Brazil in the age of globalization. Privileging diversity in relation to the authors as well as the manner in which Brazil is perceived, JessZ Souza and Valter Sinder have assembled historians, political scientists, sociologists, literary critics, and scholars of culture in an attempt to understand a complex society in all its richness and diversity. Rising from one of the worldOs poorest societies in the 1930s to the eighth largest world economy in the 1980s, Brazil is used as an example of globalizationOs impact on peripheral societies, exploring in new contexts the serious social problems that have always characterized this society. Imagining Brazil explores the connections between society and politics and culture and literature, creating an encompassing volume of interest to scholars of Latin American studies as well as those interested in how globalization impacts the varied aspects of a country.
In 1962 de Andrade published Antologia Poética, a personal anthology of poems from his first ten books. This selection draws on de Andrade's anthology to encompass his finest works within his chosen areas of interest: The Individual, Minas Gerais, Family, Friends, Social Confrontation, Experience of Love, Poetry Itself, and An Attempt to Understand Existence Feted as the most important - and premiere modernist - Brazilian poet of the twentieth century, Carlos Drummond de Andrade appears in Penguin Classics for the first time. His fans and translators have included Mark Strand, Lloyd Schwartz and Elizabeth Bishop.
Longlisted for the Man Booker International Prize 'A savagely short novel of immeasurable ambition and violent beauty. This is the language of genius.' Juan Pablos Villalobos 'How often, honestly, does the unveiling in translation of a 'forgotten genius' live up to the hype? Well here's one that does: Raduan Nassar' Times Literary Supplement 'Yes, bastard, you're the one I love' A pair of lovers - a young female journalist and an older man who owns an isolated farm in the Brazilian outback - spend the night together. The next day they proceed to destroy each other. Amid vitriolic insults, cruelty and warring egos, their sexual adventure turns into a savage power game. This intense, erotic cult novel by one of Brazil's most infamous modernist writers explores alienation, the desire to dominate and the wish to be dominated. A new translation by Stefan Tobler
"A novel par excellence that is destined to become a classic' of almost byzantine splendour . . . At its best worthy of comparison with Gabriel García Márquez" Catherine Taylor, Irish Times "Afonso Cruz is one of the strongest voices in contemporary Portuguese literature" Antonio Saez Delgado, El Pais At the age of forty-two, Bonifaz Vogel begins to hear a voice. But it doesn't belong to the mice or the woodworm, as he first imagines. Nor is it the voice of God, as he comes to believe. It belongs to young Isaac Dresner, who takes refuge in the cellar of Vogel's bird shop on the run from the soldier who shot his best friend. Soon Vogel comes to rely on it for advice: he cannot make a sale w...
"This book, written in the aftermath of the 2018 election of the right-wing populist politician Jair Bolsonaro, is a historically-grounded analysis of authoritarianism in Brazil. In the tradition of Zola's J'accuse, Lilia Schwarcz takes up and debunks the popular and cherished national myth of Brazil as a tolerant, open, peaceful, and racially-harmonious society. In that country's history textbooks even Brazil's centuries of slavery have been described as an ultimately benign, paternalistic order in which the races freely mixed and the cruelty of the U.S. slave experience was absent. This, Schwarcz argues, papers over centuries of racially-motivated violence, cruelty, and exploitation. These...
An anthology of Latin American football fiction Eleven stories, one from each country in the South American World Cup qualifying group, plus Mexico (following the precedent set by the Copa América). Idols and Underdogs includes some of the most prestigious names in Latin American literature. A hymn to the jogo bonito, these short stories demonstrate, in stark contrast to its European counterpart, just how connected Latin American football is to its roots in the backstreets, barrios and favelas. Including Juan Villoro (Mexico), Edmundo Paz Soldán (Bolivia), Ricardo Silva Romero (Colombia), Sérgio Sant’Anna (Brazil), Sergio Galarza (Peru), Selva Almada (Argentina), Carlos Abin (Uruguay), Roberto Fuentes (Chile), Miguel Hidalgo Prince (Venezuela), José and Hidalgo Pallares (Ecuador), and Javier Viveros (Paraguay), this is a who’s who of Latin American fiction. Also contains author interviews, charting personal views on football and its intersections with politics, literature, and wider culture. Idols and Underdogs is an English translation of Por amor a la pelota: once cracks de la ficción futbolera. Translated by George Shivers, Shawn Stein and Richard McGehee.
Brazilian Literature as World Literature is not only an introduction to Brazilian literature but also a study of the connections between Brazil's literary production and that of the rest of the world, particularly European and North American literatures. It highlights the tension that has always existed in Brazilian literature between the imitation of European models and forms and a yearning for a tradition of its own, as well as the attempts by modernist writers to propose possible solutions, such as aesthetic cannibalism, to overcome this tension.