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This book presents interdisciplinary perspectives on Netflix’s Chilling Adventures of Sabrina, situating the series within contemporary discourses of genre, form, historical place, ideology, and aesthetics. The essays in this collection argue that the series’ unique blend of horror, the Gothic, and melodrama offers a compelling approach to the coming-of-age narrative and makes CAoS a significant part of the teen television canon.
A practical, comprehensive teaching guide for college faculty, no matter what the discipline or course, on using evidence-based, validated strategies and assessments for increasing student motivation to learn online and in-person—the pressing problem instructors face in these challenging times.
A scathing critique of the legal status of women and their property rights in nineteenth-century America, Rebecca Harding Davis’s 1878 novel A Law Unto Herself chronicles the experiences of Jane Swendon, a seemingly naïve and conventional nineteenth-century protagonist struggling to care for her elderly father with limited financial resources. In order to continue care, Jane seeks to secure her rightful inheritance despite the efforts of her cousin and later her husband, a greedy man who has tricked her father into securing her hand in marriage. Appealing to middle-class literary tastes of the age, A Law Unto Herself elucidated for a broad general audience the need for legal reforms regarding divorce, mental illness, inheritance, and reforms to the Married Women’s Property Laws. Through three fascinating female characters, the novel also invites readers to consider evolving gender roles during a time of cultural change.
Supporting the theory that there is no singular 'Bible', and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple 'Bibles' coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified which variously perpetuate, challenge or subvert biblical narratives and motifs. The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.
Spring 2012 saw the return to creative and critical success of Joss Whedon, with the release of both his horror flick The Cabin in the Woods and the box-office sensation, Marvel's The Avengers. After establishing himself as a premier cult creator, the man who gave us great television with Buffy the Vampire Slayer, Angel, Firefly, Dollhouse and web series Dr Horrible's Sing-along Blog, as well as comic books including Fray and Astonishing X-Men, finally became the filmmaker he'd long dreamed of being. Drawing on a wide variety of sources and making use of psychologist Howard Gruber's insights into the nature of the creative process, Joss, A Creative Portrait offers the first intellectual biography of Whedon, tracking his career arc from activated fan boy to film studies major, third generation television writer, successful script doctor, innovative television auteur, beloved cult icon, sought-after collaborator, and major filmmaker with Marvel's The Avengers. Film and television scholar and Whedon expert David Lavery traces Whedon's multi-faceted magic from its source - the early influences of parents and teachers, comics, books, movies, collaborators - to its artistic incarnation.
A great deal of scholarship has focused on Joss Whedon's television and film work, which includes Buffy the Vampire Slayer, Firefly, Doctor Horrible's Sing-Along Blog, The Cabin in the Woods and The Avengers. But Whedon's work in the world of comics has largely been ignored. He created his own dystopian heroine, Fray, assembled the goofy fannish heroes of Sugarshock, and wrote arcs for Marvel's Astonishing X-Men and Runaways. Along with The Avengers, Whedon's contributions to the cinematic Universe include: script doctoring the first X-Men film, writing a ground-shaking Wonder Woman screenplay, and co-creating ABC's Agents of S.H.I.E.L.D. Today, Whedon continues the Buffy and Firefly stories with innovative comics that shatter the rules of storytelling and force his characters to grow through life-altering conflicts. This collection of new essays focuses on Whedon's comics work and its tie-ins with his film and television productions, emphasizing his auteurism in crossing over from panel to screen to panel. Essays focus on the comic inspirations and subversive tropes of the Whedonverse, as well as character changes and new interpretations.
Supernatural is one of the most successful horror TV shows ever, providing fifteen seasons of the adventures of Dean and Sam Winchester as they hunt monsters and save the world. It has nurtured a passionate fan base, which has been far more directly integrated into the show than is typical. Wry and self-aware, Supernatural repeatedly breaks out of the televisual box to acknowledge its fans and its own fictionality. Though there have already been several studies of Supernatural, this volume is the first to focus extensively and intensively on the show's metafictional elements. This essay collection argues that Supernatural is not merely a horror show, but is a show about how horror works as a genre, and how fans interact with their favorite material. From exploring how the show has equated authorship with divinity, to considering its incorporation of fandom and closely reading several key episodes, the essays in this volume seek to examine the multiple layers of textuality found in Supernatural.
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
Joss Whedon's works, across all media including television, film, musicals, and comic books, are known for their commitment to gender and sexual equality. They have always encouraged their audiences to love whomever, and however, they wish. This book is a history of the sexualities represented in the works of Joss Whedon and it covers all of Whedon's genres, including fantasy, horror, science fiction, westerns, superhero stories, and Shakespearean comedy. Unique for its consideration of the entire arc of Whedon's two-decade career, from the beginning of Buffy the Vampire Slayer's first season in 1997 through the conclusion of its twelfth (comic book) season in 2018, this book examines in det...