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Southeast Asia in World History
Here is a brief, well-written, and lively survey of the history of Southeast Asia from ancient times to the present, paying particular attention to the region's role in world history and the distinctive societies that arose in lands shaped by green fields and forests, blue rivers and seas. Craig Lockard shows how for several millennia Southeast Asians, living at the crossroads of Asia, enjoyed ever expanding connections to both China and India, and later developed maritime trading networks to the Middle East and Europe. He explores how the people of the region combined local and imported ideas to form unique cultures, reflected in such striking creations as Malay sailing craft, Javanese game...
Dance of Life
The rock era is over, according to one pop music expert. Another laments that rock music is "metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s." Whatever its current role and significance in Anglo-American society, popular music has been and remains a tremendous social and cultural force in many parts of the world. This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore.
Societies, Networks, and Transitions: A Global History
Societies, Networks, and Transitions is a world history text that connects the different regions of the world through global themes. This innovative structure combines the accessibility of a regional approach with the rigor of comparative scholarship to show students world history in a truly global framework. The text also features a strong focus on culture and religion. Author and veteran teacher Craig Lockard engages students with a unique approach to cultural artifacts such as music and art. A range of pedagogical features--including focus questions, section summaries, and web-based study aids--supports students and instructors as they explore the interconnectedness of different people, places, and periods in the global past. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Societies, Networks, and Transitions
Societies, Networks, and Transitions is a world history text that connects the different regions of the world through global themes. This innovative structure combines the accessibility of a regional approach with the rigor of comparative scholarship to show students world history in a truly global framework. The text also features a strong focus on culture and religion. Author and veteran teacher Craig Lockard engages students with a unique approach to cultural artifacts such as music and art. A range of pedagogical features--including focus questions, section summaries, and web-based study aids--supports students and instructors as they explore the interconnectedness of different people, places, and periods in the global past.
The Peasant Robbers of Kedah, 1900-1929
In the early twentieth century, social banditry was endemic in the countryside near the border between the northern Malaysian state of Kedah and Siam, and some outlaws became local heroes. Cheah Boon Kheng's account of peasant banditry and the society where it flourished draws on colonial records, literary sources and interviews to examine the circumstances that led the Governor, Sir Laurence Guillemard, to call the border area "one of the most lawless and insecure districts" in British Malaya during the 1920s. Considering banditry from the perspective of the peasant community, Cheah concludes that it grew out of lax government, weak policing, the geography of the border region and underdevelopment, and suggests that bandit heroes might be seen as symbols of rural protest. His discussion of the details of rural life in the early twentieth century and the conditions that underlay rural crime provide a unique social history of rural society in Malaya. This innovative volume broke new ground in Malaysian studies when it first appeared in 1988. This second edition is intended for the work to reach a new audience.
Dance of Life
The rock era is over, according to one pop music expert. Another laments that rock music is "metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s." Whatever its current role and significance in Anglo-American society, popular music has been and remains a tremendous social and cultural force in many parts of the world. This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore.
The Most Important Comic Book on Earth
The Most Important Comic Book On Earth is a global collaboration for planetary change, bringing together a diverse team of 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world. Whether it's inspirational tales from celebrity names such as Cara Delevingne and Andy Serkis, hilarious webcomics from War and Peas and Ricky Gervais, artworks by leading illustrators David Mack and Tula Lotay, calls to action from activists George Monbiot and Jane Goodall, or powerful stories by Brian Azzarello and Amy Chu, each of the comics in this anthology will support projects and organizations fighting to save the planet and Rewrite Extinction.
Vamping the Stage
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that...
