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A Short History of Western Performance Space
This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be 'theatres'. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history.
Greek Theatre Performance
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
Mask and Performance in Greek Tragedy
A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.
The Players' Advice to Hamlet
Outlining a classical 'rhetorical' system, this is the first serious overview of how European actors c.1550-1800 thought about acting.
Shakespeare's Clown
Focusing on the clown Will Kemp, this book shows how Shakespeare and other dramatists wrote specific roles as vehicles for him.
Democracy, Theatre and Performance
David Wiles makes the startling claim that, to be truly effective, democratic politicians are obliged to be hypocrites, or actors.
Tragedy in Athens
This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
The Kemmerlin Family of South Carolina
A genealogy of those of the family Kemmerlin who settled in South Carolina. The author hopes that Kemmerlin family members as well as others will find in this book something meaningful to them, and genealogists, will find the information of use in constructing many other connected family trees.
New Theatre Quarterly 67: Volume 17, Part 3
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.
David
Of all the figures in the Bible, David arguably stands out as the most perplexing and enigmatic. He was many things: a warrior who subdued Goliath and the Philistines; a king who united a nation; a poet who created beautiful, sensitive verse; a loyal servant of God who proposed the great Temple and founded the Messianic line; a schemer, deceiver, and adulterer who freely indulged his very human appetites. David Wolpe, whom Newsweek called “the most influential rabbi in America,” takes a fresh look at biblical David in an attempt to find coherence in his seemingly contradictory actions and impulses. The author questions why David holds such an exalted place in history and legend, and then proceeds to unravel his complex character based on information found in the book of Samuel and later literature. What emerges is a fascinating portrait of an exceptional human being who, despite his many flaws, was truly beloved by God.
