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The Great Indian Railways
Following an experimental railway track at Chintadripet, in 1835, the battle for India's first railroad was fought bitterly between John Chapman's Great Indian Peninsular Railway and Rowland MacDonald Stephenson's East India Railway Company, which was merged with Dwarkanauth Tagore's Great Western of Bengal Railway. Even at the height of the Mutiny of 1857, Bahadur Shah Zafar promised Indian owned railway tracks for native merchants if Badshahi rule was restored in Delhi. From Jules Verne to Rudyard Kipling to Mark Twain to Rabindranath Tagore to Nirad C. Chaudhuri to R.K. Narayan and Ruskin Bond-the aura of Indian trains and railway stations have enchanted many writers and poets. With iconi...
Global Forensic Cultures
Essays explore forensic science in global and historical context, opening a critical window onto contemporary debates about the universal validity of present-day genomic forensic practices. Contemporary forensic science has achieved unprecedented visibility as a compelling example of applied expertise. But the common public view—that we are living in an era of forensic deliverance, one exemplified by DNA typing—has masked the reality: that forensic science has always been unique, problematic, and contested. Global Forensic Cultures aims to rectify this problem by recognizing the universality of forensic questions and the variety of practices and institutions constructed to answer them. G...
Indians and the Antipodes
The Indian diaspora in Australia and New Zealand represents a successful ethnic community making significant contributions to their host societies and economies. However, because of their small number—slightly more than half a million— they rarely find mention in the global literature on Indian diaspora. The present volume seeks to remedy this oversight. Charting the chequered 250-year-old history of both the ‘old’ and the ‘new’ diaspora in the antipodes, the chapters narrate the stories of labourers who journeyed under the pressure of colonial capital and post-war professional migrants who went in search of better opportunities. In the context of the ‘White Australia’ and ‘White New Zealand’ policies designed to stem the arrival of Asians in the early twentieth century, we read of the complex survival stratagems adopted by migrants to circumvent the stringent insular world view of the existing white settlers in these countries. Together with stories of the collective suffering and struggles of the diaspora, we are presented with stories of individual resilience, enterprise, and social mobility.
Anglo-Indian Women in Transition
The study considers two generations of Anglo-Indian women in post-colonial India, and their social interaction with their community. It explores Anglo-Indian women as part of a cultural whole and as participants in the mainstream cultural claims of India. It notably highlights the marginalisation of Anglo-Indian women in decision-making, focusing on the multiple patriarchal dominations they face, and how it impacts on their role within society. It argues that the historical gendering of the Anglo-Indian community has concrete consequences in terms of familial, cultural and organizational links with the diaspora, perceptions and attitudes of other Indian communities towards the Anglo-Indian community in schools, neighborhoods and workplaces and significant discriminations based on colour of skin, economic resources and conformity to gender stereotypes. Examining how different forms of race, class and gender discrimination intersect in the lives and experiences of Anglo-Indian women, this work provides insights into contemporary gender relations in India, and is a key read for scholars in gender and sociology, as well as minority and diaspora studies.
Women in the Indian Diaspora
This volume brings into focus a range of emergent issues related to women in the Indian diaspora. The conditions propelling women’s migration and their experiences during the process of migration and settlement have always been different and very specific to them. Standing ‘in-between’ the two worlds of origin and adoption, women tend to experience dialectic tensions between freedom and subjugation, but they often use this space to assert independence, and to redefine their roles and perceptions of self. The central idea in this volume is to understand women’s agency in addressing and redressing the complex issues faced by them; in restructuring the cultural formats of patriarchy and...
I Swear I Use No Art at All
This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
