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Since the beginning of the Coronavirus crisis, our lives have completely changed: Shutdowns, working in home offices, contact restrictions, daily bulletins from virologists, protest movements, and conspiracy fantasies seem to have become part of our new everyday life. Could we have been prepared for this? Totally. It’s all been there before: in the movies. Science fiction films and series have always dealt with the future and its possible course, social changes, and conflicts in a speculative way. Denis Newiak searches through the scenes of pandemic movies and series to bring out ideas for how to cope with the social, political, and economic challenges of the crisis. Can the scenarios developed in film help us to pass this test—and to emerge from it with greater strength?
Watching television need not be a passive activity or simply for entertainment purposes. Television can be the site of important identity work and moral reflection. Audiences can learn about themselves, what matters to them, and how to relate to others by thinking about the implicit and explicit moral messages in the shows they watch. Better Living through TV: Contemporary TV and Moral Identity Formation analyzes the possibility of identifying and adopting moral values from television shows that aired during the latest Golden Era of television and Peak TV. The diversity of shows and approaches to moral becoming demonstrate how television during these eras took advantage of new technologies t...
This collection examines the child’s role in contemporary post-apocalyptic films and television.. By exploring the function of child characters within a dystopian framework, this volume illustrates how traditional notions of childhood are tethered to sites of adult conflict and disaster, a connection that often works to reaffirm the “rightness” of past systems of social order.
Dead phones, chaos in hospitals, looming nuclear meltdowns: For years, experts all over the world have been warning of a widespread power blackout--and the devastating consequences for society as a whole. However, just as before the COVID-19 pandemic, politicians and the public are hardly aware of the far-reaching risks: A blackout would catch us almost completely unprepared. As for other (supposedly improbable) disruptive events, disaster movies and sci-fi series have long shown what would happen if modern society were to lose its lifeblood. Denis Newiak looks into those filmic fictions for answers to pressing questions: How can we prepare ourselves for the dramatic consequences of such a crisis? And can the collapse of modernity still be stopped?
This edited volume brings together authors across the world to share their ideas, views, contemplations, assessments and theories about disinformation and post-truth in literature and media from a multidisciplinary perspective. The book gives an idea as to how the emerging trend of truth crisis, fake news and manipulated information leads to ideological antagonism, ethical conflicts and geopolitical power struggles in society. It has got revealing chapters that discuss the propensity to inquire into the data that satisfies the overtones of the personal emotions and beliefs that undermines facts and truths. Being an observant set of structured ideas having twenty-seven chapters, the book discusses diverse domains such as conspiracy ideologies, alt-facts of the contemporary era, signs and science of truth, post-truth politics of gender, political advertisements, realism and hyperreality, fifth estate and the third space, posthuman pataphysics, performativity and fiction, media renunciation, identity dynamics, and cultural obliteration.
International Security Studies and Technology applies an interdisciplinary perspective to the study of emerging technologies and issues related to their development, governance, laws, ethics, understanding, and (mis)use, considering their impact on international security and established international norms. Bringing together a diverse collection of experts, Tobias T. Gibson and Kurt W. Jefferson analyse international security and technology through three conceptual frameworks: approaches, assessments, and frontiers.
Re-Locating the Sounds of the Western examines the use and function of musical tropes and gestures traditionally associated with the American Western in new and different contexts ranging from Elizabethan theater, contemporary drama, space opera and science fiction, Cold War era European filmmaking, and advertising. Each chapter focuses on a notable use of Western musical tropes, textures, instrumentation, form, and harmonic language, delving into the resonance of the music of the Western to cite bravura, machismo, colonisation, violence, gender roles and essentialism, exploration, and other concepts.