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Spirits can be haunters, informants, possessors, and transformers of the living, but more than anything anthropologists have understood them as representations of something else—symbols that articulate facets of human experience in much the same way works of art do. The Social Life of Spirits challenges this notion. By stripping symbolism from the way we think about the spirit world, the contributors of this book uncover a livelier, more diverse environment of entities—with their own histories, motivations, and social interactions—providing a new understanding of spirits not as symbols, but as agents. The contributors tour the spiritual globe—the globe of nonthings—in essays on topics ranging from the Holy Ghost in southern Africa to spirits of the “people of the streets” in Rio de Janeiro to dragons and magic in Britain. Avoiding a reliance on religion and belief systems to explain the significance of spirits, they reimagine spirits in a rich network of social trajectories, ultimately arguing for a new ontological ground upon which to examine the intangible world and its interactions with the tangible one.
Despite its powerful influence on Cuban culture, Espiritismo has often been overlooked by scholars. Developing the Dead is the first in-depth exploration of contemporary Espiritismo in Cuba. Based on extensive fieldwork among religious practitioners and their clients in Havana, this book makes the surprising claim that Spiritist practices are fundamentally a project of developing the self. When mediums cultivate relationships between the living and the dead, argues Diana Espírito Santo, they develop, learn, sense, dream, and connect to multiple spirits (muertos), expanding the borders of the self. This understanding of selfhood is radically different from Enlightenment ideas of an autonomous, bounded self and holds fascinating implications for prophecy, healing, and self-consciousness. Developing the Dead shows how Espiritismo’s self-making process permeates all aspects of life, not only for its own practitioners but also for those of other Afro-Cuban religions.
Going beyond the frameworks of the anthropology of death, Articulate Necrographies offers a dramatic new way of studying the dead and their interactions with the living. Traditional anthropology has tended to dichotomize societies where death “speaks” from those where death is “silent” – the latter is deemed “scientific” and the former “religious” or “magical”. The collection introduces the concept of “necrography” to describe the way death and the dead create their own kinds of biographies in and among the living, and asks what kinds of articulations and silences this in turn produces in the lives of those affected.
Umbanda is an urban 20th-century phenomenon, often described in the literature as Brazil¿s first ¿national¿¿or truly ¿Brazilian¿¿ religion. Early on, Umbanda was thought to bridge elitist forms of European-derived spirit mediumship and racially stigmatized Afro-Brazilian traditions. Through analysis of narratives of spirit possession and mediumship, we discover how Umbandists experience a creative dialogue between cultural norms and a cosmos that often transcends them. In Umbanda it is through the body, its senses, and its experience that the spirits become present. The fascinating life stories and narratives of a variety of practitioners are the heart of this book of the experiences that are Umbanda.
Spirited Histories combines ethnography with critical theory to provide a sophisticated exploration of the intersection of haunting and the paranormal with technology, media, and history. Retrieving the past in places of trauma and death can take on many facets. One of these is an attention to hauntings, ghosts, and absences that go with the collective experience of loss and disappearance. People memorialize the dead and their stories in myriad ways. But what about the untold stories, or the forgotten, unnamed? This book explores the ways groups of Chilean paranormal investigators and ghost tour operators produce alternate histories using paranormal machinery, rather than simply theatricalizing pain. It offers a look at technologies, machines, and apparatuses – themselves imbued with a long history of supernatural and scientific expectations – and a social analysis of how certain groups of people marshal the voices of the dead to generate particular micro-histories. This fascinating volume will be of interest to a range of disciplines, including anthropology, sociology, history, religious studies, and scholars of technology and new media.
The analysis of religion has often placed an emphasis on beliefs and ideologies, prioritizing these elements over those of the material world. Through the ethnographic analysis of a variety of contemporary religious practices, Making Spirits questions the presumed separation of spirit and matter, and sheds light on the dynamics between spiritual and material domains. By examining the cultural contexts in which material culture is central to the creation and experience of religion and belief, this volume analyses the different ways in which the concepts of the material and spiritual worlds intersect, interact and inform each other in the reproduction of religious rites. Using examples such as spirit mediums, fetishes and ritual objects across a variety of cultures such as Latin America, Japan and Central Africa, Nico Tassi and Diana Espirito Santo offer insights that challenge accepted categories in the study of religion, making this book important for scholars of comparative religion, anthropology and sociology.
Exploring how technological apparatuses “capture” invisible worlds, this book looks at how spirits, UFOs, discarnate entities, spectral energies, atmospheric forces and particles are mattered into existence by human minds. Technological and scientific discourse has always been central to the nineteenth- and early twentieth-century spiritualist quest for legitimacy, but as this book shows, machines, people, and invisible beings are much more ontologically entangled in their definitions and constitution than we would expect. The book shows this entanglement through a series of contemporary case studies where the realm of the invisible arises through technological engagement, and where the paranormal intertwines with modern technology.
The Brazilian Spiritualist Christian Order Vale do Amanhecer (Valley of the Dawn) is the place where the worlds of the living and the spirits merge and the boundaries between lives are regularly crossed. Drawing upon over a decade of extensive fieldwork in temples of the Amanhecer in Brazil and Europe, the author explores how mediums understand their experiences and how they learn to establish relationships with their spirit guides. She sheds light on the ways in which mediumistic development in the Vale do Amanhecer is used for therapeutic purposes and informs notions of body and self, of illness and wellbeing.
Spirited Histories combines ethnography with critical theory to provide a sophisticated exploration of the intersection of haunting and the paranormal with technology, media, and history.
Despite the fact that Christianity is understood to be thoroughly intertwined with matter, objects, and things, Christians struggle to cope with this materiality in their daily lives. This volume argues that the ambivalent relationships many Christians have with materiality is a driving force that contributes to the way people in different Christian traditions and in different parts of the world understand and live out their religion. By placing the questions of limits and boundary-work to the fore, the volume addresses the question of exactly how Christianity takes place materially, addressing a gap in studies to date. Christianity and the Limits of Materiality presents ground-breaking rese...