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Palaces of Memory
Palaces of Memory is the story of a pioneer in the music world – the first woman to graduate from Princeton University with a PhD in Music and the first woman to compose computer-synthesized music. Much has been written about Dr. Thome, now professor emerita and former chair of the composition program at the University of Washington School of Music. But this is Diane Thome’s highly personal story about her lifelong journey in music. In this inspiring memoir, Dr. Thome describes her studies with many famous teachers including Dorothy Taubman, Robert Strassburg, Milton Babbitt, Roy Harris and Darius Milhaud. She writes of a consuming need to compose and explore new directions in her music. She also writes with deep affection and candor about her many friends and great loves. Diane Thome’s music has been described as “high modernist … searching, intense, and full of integrity.” Much the same can be said of her life as it unfolds in Palaces of Memory.
Palaces of Memory
Palaces of Memory is the story of a pioneer in the music world - the first woman to graduate from Princeton University with a PhD in Music and the first woman to compose computer-synthesized music. Much has been written about Dr. Thome, now professor emerita and former chair of the composition program at the University of Washington School of Music. But this is Diane Thome's highly personal story about her lifelong journey in music. In this inspiring memoir, Dr. Thome describes her studies with many famous teachers including Dorothy Taubman, Robert Strassburg, Milton Babbitt, Roy Harris and Darius Milhaud. She writes of a consuming need to compose and explore new directions in her music. She also writes with deep affection and candor about her many friends and great loves. Diane Thome's music has been described as "high modernist ... searching, intense, and full of integrity." Much the same can be said of her life as it unfolds in Palaces of Memory.
Annual Report
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
The Narrative Arts of Tianjin: Between Music and Language
In studying one of the world's oldest and most enduring musical cultures, academics have consistently missed one of the richest forms of Chinese cultural expression: performed narratives. Francesca R. Sborgi Lawson explores the relationships between language and music in the performance of four narrative genres in the city of Tianjin, China, based upon original field research conducted in the People's Republic of China in the mid 1980s and in 1991. The author emphasizes the unique nature of oral performances in China: these genres are both musical and literary and yet are considered to be neither music nor literature. Lawson employs extensive examples of the complex interaction of music and ...
Women Composers and Music Technology in the United States
This book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material, it also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, Elizabeth Hinkle-Turner discusses the contribution of women composers to electroacoustic music. The book includes a bibliography and discography covering the work of ninety composers.
The Cambridge Companion to Women in Music since 1900
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Composers in the Classroom
Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also conta...
Classical Seattle
The past 50 years have seen a tremendous arts boom in Seattle, which has given the city not only internationally recognized classical music institutions but also great performance halls to showcase their work and that of visiting artists. From Igor Stravinsky’s presence as guest conductor at the World’s Fair in 1962, to Speight Jenkins’s masterly production of Wagner’s Ring cycle, to the work of benefactors such as Jack and Becky Benaroya, Seattle is deservingly well known as a city of the musical arts. In Classical Seattle, Melinda Bargreen documents the lives of prominent figures in the local classical music world. Informed by Bargreen’s experience as a music critic and drawing o...
Women in Music
First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.
