Seems you have not registered as a member of localhost.saystem.shop!
You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
Realisms of the Avant-Garde
The historical avant-gardes defined themselves largely in terms of their relationship to various versions of realism. At first glance modernism primarily seems to take a counter-position against realism, yet a closer investigation reveals that these relations are more complex. This book is dedicated to the links between realism, modernism and the avant-garde in their international context from the late 19th century up to the present day.
Mediating Modernity
"An interdisciplinary examination of the responses of literary authors in Germany, from 1895-1930, to the emerging media of image and sound recording"--Provided by publisher.
Cinematography in the Weimar Republic
In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors. Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution t...
The Afterlives of Weimar Berlin
"Explores the recent proliferation of literary and filmic representations of Weimar Berlin in German culture, probing the connections between historical and contemporary texts, their contexts, and their creators, often German Jews and women. More than a century after its founding, there can be little doubt that Weimar is back. The recent proliferation of references to and portrayals of the Weimar Republic-Germany's first democracy, born out of the aftermath of the First World War and characterized by economic and political crisis-is not surprising given our crisis-filled present. That said, the Weimar era has been a consistent focus of scholarly work in both the German-speaking and the Anglo...
Kurt Weill's America
When German-Jewish composer Kurt Weill arrived in the United States in 1935, he found a nation nothing like he imagined. This book tells the full story of Weill as outsider-turned-insider, showing how he was keenly attuned to the difficult relationship America had with her immigrants but was slower to grasp the subtleties of race relations.
Performative Figures of Queer Masculinity
This is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, affects and (self-)knowledge on and off the screen. Building on Eve K. Sedgwick's queer-feminist concept of queer performativity, the ...
The Men with the Movie Camera
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
A Companion to the Works of Alfred Döblin
Alfred Döblin (1878-1957) was one of the great German-Jewish writers of the 20th century, a major figure in the German avant-garde before the First World War and a leading intellectual during the Weimar Republic. Döblin greatly influenced the history of the German novel: his best-known work, the best-selling 1929 novel Berlin Alexanderplatz, has frequently been compared in its use of internal monologue and literary montage to James Joyce's Ulysses and John Dos Passos's Manhattan Transfer . Döblin's oeuvre is by no means limited to novels, but in this genre, he offered a surprising variety of narrative techniques, themes, structures, and outlooks. Döblin's impact on German writers after t...
Expressionist Film--new Perspectives
New essays by leading scholars giving a new picture of the variety of German expressionist cinema.
