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Melancholy and Architecture
Aldo Rossi (1931 97) is a key figure in 20th-century architecture. Often described as melancholic, his work was and still is influential both in architectural theory and practice. This new book discusses this notion of melancholy and its role on the example of Rossi. Drawing on rich archival sources, the author investigates several aspects of the Italian architect s figure and analyzes one of his landmark works, the Cemetery of San Cataldo in Modena, Italy. He also looks at the current issues of stardom, overexposure, and commercialization which Rossi anticipated, debating them in relation to melancholy. The history of melancholy as a companion to culture tells equally of affliction and an i...
The Form of Form
This book relates a variety of ideas regarding form, not only through aesthetic and technological approaches, but also from social and political positions.
The Anatomy of the Architectural Book
This book makes visible the axes along which architectural knowledge circulates through books into buildings and back.
Floating Images
Photographs, newspaper cuttings, postcards, drawings, and slides: on entering the studio of Eduardo Souto de Moura, winner of the Pritzker Prize 2011, one is confronted with a variety of images on the walls that engage in a dialogue. How do these photos, drawings, and illustrations impact his design practice? What is the relationship between the image and the completed building? Floating Images: Eduardo Souto de Moura's Wall Atlas uses this question as an opportunity to examine the architect's visual universe. He has added images from his extensive collection of drawings and project sketches and reorganized them in this atlas. Complex relationships are formed between the individual illustrations and projects. Essays by Pedro Bandeira, Eduardo Souto de Moura, Diogo Seixas Lopes, and Philip Ursprung round off the publication and provide a contextualization in terms of the history of art and images.
Aires Mateus
Catálogo da exposição dos Arquitectos 'Aires Mateus', patente no Centro Cultural de Belém até 15 de Janeiro de 2006.
Papers 2
This book is a collection of illustrated papers by British architects Jonathan Sergison and Stephen Bates written between 2002 and 2007. Writing, like drawing and talking together, supports their collaborative and creative work, providing as it does a tangible reference point for communication and in the search for shared objectives. Although each of the papers included in this volume was written by one of the architects, they acknowledge shared authorship of their content and objective. In the preparation of each paper, the observer acts as a friendly critic to the write, integral to the process and supportive of the exploration of personal and shared experience. Some of theses papers wrere...
POROSIS / The Architecture of Nuno Brandão Costa
POROSIS invites an intense look at the work of the new figure in the Porto School of Architecture, after Eduardo Souto Moura and Álvaro Siza. The singularity of Nuno Brandão Costa’s work lies in his sustained attention to the primary elements of construction and its plasticity. Through new materials and techniques, his work has built upon the clarity of traditional Portuguese architecture. André Cepeda travelled for some months photographing the work of Nuno Brandão Costa. More a sensitive approach than a literal document, this book is a powerful testimony of Portuguese architecture nowadays, through the surprising work of this architect. The images, by one of the most highly regarded Portuguese photographers, brilliantly challenge the limits of an architectural monograph.
Architectonica Percepta
Paulo Providencia occupies a special place in contemporary Portuguese architecture. He is recognised by many as one of the best of the generation following Eduardo Souto de Moura. His work is concerned about interpretation of programmatic needs, relating architecture to specific cultural contexts. His buildings the vast majority of them located in Portugal are based on sound theoretical background, rooted in philosophical and anthropological research. This new book features seven of Providencia's realised structures in striking duotone photographs taken by the Portuguese photographer Alberto Placido. Each is documented as well with selected plans and key information. Five topical essays by Providencia round out the first monograph in English on this eminent architect and theoretician.
Giorgio de Chirico and the Metaphysical City
Painted in Paris on the eve of World War One, the Metaphysical cityscapes of Giorgio de Chirico (1888-1978) redirected the course of modernist painting and the modern architectural imagination alike. Giorgio de Chirico and the Metaphysical City examines the two most salient dimensions of the artist’s early imagery: its representations of architectural space and its sustained engagement with the philosophy of Friedrich Nietzsche. Centering upon a single painting from 1914 – deemed by the painter “the fatal year” – each chapter examines why and how de Chirico’s self-declared “Nietzschean method” takes architecture as its pictorial means and metaphor. The first, full-length study in English to focus on the painter’s seminal work from pre-war Paris, the book places de Chirico’s “literary” images back in the context of the city’s avant-garde, particularly the circle of Guillaume Apollinaire. Merjian’s study sheds light on one of the most influential and least understood figures in 20th-century aesthetics, while also contributing to an understanding of Nietzsche’s paradoxical consequences for modernism.
