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An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Ti...
Do our passions control us or us them? These poems find themselves asking such questions in hospitals, in cellars, in Parisian parks and American laundromats, inside our screens and beyond them. Poems of blood and birdsong, of rain and desire, of aftermath and ambivalence, each spoken by a voice, which - like the starlings - sings, at once, both past and present. "Looking into the dark sky of history, Doireann Ní Ghríofa calls up an illuminating fire, a night constellated into images of passion and destruction. An astrologer of the body, its endurance and its vulnerability, Ní Ghríofa is a poet of daring skill. Lyrical, searching and enchanted, To Star the Dark is a blazing, brave collection." - Seán Hewitt "Like [Eavan] Boland, Ní Ghríofa constructs a mysterious world for her readers from the matter of ordinary life. The poems of this collection impress upon us that magic and depth can be found in the minutiae of the everyday." - Poetry Ireland Review, on Lies
Clasp is award-winning Irish poet Doireann N Ghr ofa's first English-language collection of poems. In three sections entitled 'Clasp', 'Cleave' and 'Clench', N Ghr ofa engages in a strikingly physical way with the world of her subject matter. The result is by times what one poem calls 'A History in Hearts', among other things an intimate exploration of love, childbirth and motherhood, and simultaneously a place of separation and anxiety. In one poem set in the boys' home in Letterfrack, a place of undeniable terror, we see how, in the name of religion, "The earth holds small skulls like seeds." The final section of the book comprises a single poem, Seven Views of Cork City, which, swooping in and out of personal history, paints a convincing if sometimes unsettling portrait of the poet's adopted city, and of urban life's ubiquitous restraints on "our dream of speed."
Irish poet Doireann Ní Ghríofa's selection from his first three Irish-langauge poetry books, translated into English by the author and published here in dual-language format
The famous 18th-century Irish poem, in which a wife mourns the loss of her murdered husband.
The Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection. A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action. The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to command our attention.
A haunting collection of twenty stories rooted in the oral tradition of the Irish Traveller community. Brave vixens, prophetic owls and stalwart horses live alongside the human characters as guides, protectors, friends and foes while spirits, giants and fairies blur the lines between this world and the otherworld. Collected by Oein DeBhairduin throughout his childhood, retold in his lyrical style, and beautifully illustrated by Leanne McDonagh.
"The Other Crowd," "The Good People," "The Wee Folk," and "Them" are a few of the names given to the fairies by the people of Ireland. Honored for their gifts and feared for their wrath, the fairies remind us to respect the world we live in and the forces we cannot see. In these tales of fairy forts, fairy trees, ancient histories, and modern true-life encounters with The Other Crowd, Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a seanchai, a true Irish storyteller.
SHORTLISTED FOR THE WAINWRIGHT PRIZE FOR NATURE WRITING – HIGHLY COMMENDED ‘Remarkable’ Robert Macfarlane ‘Beautiful’ Amy Liptrot ‘Powerful, unflinching . . . Part hymn to nature, part Troubles memoir’ Guardian Kerri ní Dochartaigh was born in Derry at the very height of the Troubles. One parent was Catholic, the other Protestant. In the space of a year Kerri’s family were forced out of two homes and when she was eleven a homemade petrol bomb was thrown through her bedroom window. For families like hers, terror was in the very fabric of the city. In Thin Places, Kerri explores how nature kept her sane and helped her heal, and how we are again allowing our borders to become hard and terror to creep back in. Kerri asks us to reclaim and rejoice in our landscape, and to remember that the land we fight over is much more than lines on a map.