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Creating Aztlán
"Creating Aztlâan interrogates the important role of Aztlâan in Chicano and Indigenous art and culture. Using the idea that lowriding is an Indigenous way of being, author Dylan A. T. Miner (Mâetis) discusses the multiple roles that Aztlâan has played atvarious moments in time, engaging pre-colonial indigeneities, alongside colonial, modern, and contemporary Xicano responses to colonization"--
Christi Belcourt
Christi Belcourt's The Conversationis emblematic of her work. Made of dots created by dipping the end of a paintbrush or knitting needle into paint and pressing it onto the canvas, the painting evokes the traditional beadwork of First Nations and Métis women. Its twining stems, flower blossoms, and root systems highlight the abiding connections of life across Turtle Island, connections that Belcourt has spent her life fighting for through her art and her advocacy. Christi Belcourtis the first book devoted exclusively to Belcourt's life and work: her early paintings showcasing the natural world's beauty and interconnectedness, her monumental "flower beadwork " paintings, and her recent collaborations with Isaac Murdoch, an Anishinaabe knowledge keeper. Drawn from a national touring exhibition, these works of art inspire reflection, provoke conversation, and call for action. The book features a powerful artist's statement by Christi Belcourt, and illuminating essays written by scholars Sherry Farrell Racette, Dylan Miner, and exhibition curator Nadia Kurd.
Celebrate People's History!
The best way to learn history is to visualize it! Since 1998, Josh MacPhee has commissioned and produced over one hundred posters by over eighty artists that pay tribute to revolution, racial justice, women's rights, queer liberation, labor struggles, and creative activism and organizing. Celebrate People's History! presents these essential moments—acts of resistance and great events in an often hidden history of human and civil rights struggles—as a visual tour through decades and across continents, from the perspective of some of the most interesting and socially engaged artists working today. Celebrate People's History includes artwork by Cristy Road, Swoon, Nicole Schulman, Christopher Cardinale, Sabrina Jones, Eric Drooker, Klutch, Carrie Moyer, Laura Whitehorn, Dan Berger, Ricardo Levins Morales, Chris Stain, and more.
Chicano and Chicana Art
This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer...
Centering Anishinaabeg Studies
For the Anishinaabeg people, who span a vast geographic region from the Great Lakes to the Plains and beyond, stories are vessels of knowledge. They are bagijiganan, offerings of the possibilities within Anishinaabeg life. Existing along a broad narrative spectrum, from aadizookaanag (traditional or sacred narratives) to dibaajimowinan (histories and news)—as well as everything in between—storytelling is one of the central practices and methods of individual and community existence. Stories create and understand, survive and endure, revitalize and persist. They honor the past, recognize the present, and provide visions of the future. In remembering, (re)making, and (re)writing stories, A...
Realizing the Impossible
Looks at the history of the depiction of anti-authoritarian social movements in art.
Firebrands
This illustrated history celebrates American changemakers and revolutionaries that are often left out of public narratives about our shared past. These firebrands hail from Canada, Chile, and everywhere in between, from the 1500s to today. Instead of focusing on the powerful, rich white folks so often featured in textbooks, these gorgeous portraits with accompanying biographies recognize the work of grassroots organizers, revolutionaries, visionaries, anarchists, workers, and artists. These heroes put their bodies and souls into fighting injustice and making their communities better, and they often gave their lives for the causes they believed in. Each story is vividly illustrated by a membe...
Rekindling the Sacred Fire
Why don’t more Métis people go to traditional ceremonies? How does going to ceremonies impact Métis identity? In Rekindling the Sacred Fire, Chantal Fiola investigates the relationship between Red River Métis ancestry, Anishinaabe spirituality, and identity, bringing into focus the ongoing historical impacts of colonization upon Métis relationships with spirituality on the Canadian prairies. Using a methodology rooted in an Indigenous world view, Fiola interviews eighteen people with Métis ancestry, or an historic familial connection to the Red River Métis, who participate in Anishinaabe ceremonies, sharing stories about family history, self-identification, and their relationships with Aboriginal and Eurocanadian cultures and spiritualities.
We Are Aztln!
Mexican Americans/Chicana/os/Chicanx form a majority of the overall Latino population in the United States. In this collection, established and emerging Chicanx researchers diverge from the discipline's traditional Southwest focus to offer academic and non-academic perspectives specifically on the Pacific Northwest and Midwest. Their multidisciplinary papers address colonialism, gender, history, immigration, labor, literature, sociology, education, and religion, setting the Chicanx movement and experience beyond customary scholarship and illuminating how Chicanxs have challenged racialization, marginalization, and isolation in the northern borderlands. Contributors: Norma Cardenas and Rachel Maldonado, retired (both Eastern Wash. Univ.), the late Carlos Maldonado, Oscar Rosales Castaneda (activist, writer), Josue Q. Estrada (Univ. of Wash.), Theresa Melendez, emeritus, Dylan Miner, and Dionicio Valdes (all Mich. St. Univ.), and Ernesto Todd Mireles (Prescott College).
Métis
Ask any Canadian what "Métis" means, and they will likely say "mixed race." Canadians consider Métis mixed in ways that other Indigenous people are not, and the census and courts have premised their recognition of Métis status on this race-based understanding. Andersen argues that Canada got it wrong. From its roots deep in the colonial past, the idea of Métis as mixed has slowly pervaded the Canadian consciousness until it settled in the realm of common sense. In the process, "Métis" has become a racial category rather than the identity of an Indigenous people with a shared sense of history and culture.
