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Spanning over 2,000 years, this study looks at the complex relationship between Jewish and Catholic thought from a social and historical perspective. Examining different significant moments for both religions throughout the centuries, this book analyzes and explains the conflicts that have arisen between the two religions since their beginnings.
The biography of a most interesting man at the center of Philadelphia's culture war. Anyone interested in America's cultural revolution and its devastating effect on society will find this book of great interest. It is not only the story of the Cardinal's live but much more so his trials in trying to uphold a reasonable ethical society in the assault of America's Kulturkrieg. The book spans three decades of Philadelphia's history. Unlike many biographies it is interesting and compelling. It clearly shows the devastating effect that the modernists and progressivists have had on us all.
This book reveals how major figures connected with modern music projected their own immorality into the field of music which has been the main vehicle of cultural revolution in the West. For the first time ever, a unified theory of music and cultural revolution links the work of figures like Wagner, Nietzsche, Schoenberg, Jagger and others to show the connection between the demise of classical music and the rise of rock 'n' roll. Beginning with Nietzsche's appropriation of Wagner's opera Tristan and Isolde, music became the instrument for cultural upheaval. What began at the barricades of Dresden in 1849 found its culmination at Woodstock and Altamont and the other Dionysian festivals of 1969. The author shows the connection between the death of classical music and the rise of the African sensibility which Nietzsche saw as the antidote to Wagner prostrating himself before the cross in Parsifal. Nietzsche prophesied the end of the age of Christ/Socrates and the return of the spirit of music to philosophy. That return took place at the end of 1969 at an abandoned racetrack outside of San Francisco, and the world has never been the same.
In his meticulously documented book, Jones focuses on four cities to prove that urban renewal over the past decades had more to do with ethnicity that it ever had to do with design, hygiene, or urban blight.
Jones uncovers the origins of horror in the suffering inflicted by political and sexual revolution. The avenging monster, a mainstay of horror, emerged from the sexual dissolution of the French Revolution (Frankenstein) and thrived in the syphilitic underworld of Victorian England (Dracula). From Nosferatu and Psycho to Alien and Interview with the Vampire, the twentieth century has spawned new monsters of unprecedented horror. -- What is the connection between sex and horror? -- Why are vampires and nameless or faceless monsters so common in horror? -- Why do we need horror -- yet fail to understand it?