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Film Studies
Ed Sikov builds a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. Sikov primes the eye and mind in the special techniques of film analysis. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. Film Studies works with any screening list and can be used within courses on film history, film theory, or popular culture. Straightforward explanations of core critical concepts, practical advice, and suggested assignments on particular technical, visual, and aesthetic aspects further anchor the reader's understanding of the formal language and anatomy of film.
Mr Strangelove
Peter Sellers was a genius, whose unique mastery created enduring comic characters. But behind the man that could make the world laugh was a tragic sadness. Employing his creations as masks to hide behind, Sellers was convinced his own life was meaningless and empty. Acclaimed (On Sunset Boulevard - the story of Billy WIlder) biographer Ed Sikov has spoken to many who knew and worked with Sellers, including Sophia Loren, Goldie Hawn, and Roman Polanski. Sikov reveals how Sellers was a casualty of his own insecurities and used his public persona to mask his tormented private life, littered with four marriages (and three divorces), countless affairs, and drug and alcohol abuse. This is the authoritative and touching story of a majestic comedian, showing the very private face of a man whose world was lived through the public arena. 'An authoritative biography and a compulsive page turner.' Michael Palin, New York Times 'Sikov's book is often melancholy, but always informative, and entertaining... They don't really make 'em like that any more - you can't get the wood you know' Simon Louvish, Guardian
On Sunset Boulevard
On Sunset Boulevard, originally published in 1998, describes the life of acclaimed filmmaker Billy Wilder (1906-2002), director of such classics as Sunset Boulevard, The Lost Weekend, The Seven Year Itch, and Sabrina. This definitive biography takes the reader on a fast-paced journey from Billy Wilder's birth outside of Krakow in 1906 to Vienna, where he grew up, to Berlin, where he moved as a young man while establishing himself as a journalist and screenwriter, and triumphantly to Hollywood, where he became as successful a director as there ever was. Double Indemnity, Sunset Boulevard, Some Like It Hot, and The Apartment"Wilder's cinematic legacy is unparalleled. Not only did he direct the...
Film Studies, second edition
Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director’s use of camera movement. Film Studies is designed for courses on film history, film theory, and popular culture. I...
Dark Victory
The legendary Hollywood star blazes a fiery trail in this enthralling portrait of a brilliant actress and the movies her talent elevated to greatness She was magnificent and exasperating in equal measure. Jack Warner called her "an explosive little broad with a sharp left." Humphrey Bogart once remarked, "Unless you're very big she can knock you down." Bette Davis was a force of nature—an idiosyncratic talent who nevertheless defined the words "movie star" for more than half a century and who created an extraordinary body of work filled with unforgettable performances. In Dark Victory, the noted film critic and biographer Ed Sikov paints the most detailed picture ever delivered of this int...
Screwball
Screwball is the first richly illustrated tribute to the movies that tells one mad, illogical truth: Mutual loathing is no reason to give up on love. More than 240 pictures in striking duotone celebrate these exhilarating comedies.
Gregory Peck
In Gregory Peck: A Biography, Gary Fishgall meticulously recounts Peck's influential life, revealing the effects of the actor on the film industry and of the film industry on the actor."--BOOK JACKET.
A Splurch in the Kisser
With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.
Cinematic Overtures
A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique. From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinat...
