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'Since the middle of the twentieth century,' writes Elizabeth Johnson, 'there has been a renaissance of new insights into God in the Christian tradition. On different continents, under pressure from historical events and social conditions, people of faith have glimpsed the living God in fresh ways. It is not that a wholly different God is discovered from the One believed in by previous generations. Christian faith does not believe in a new God but, finding itself in new situations, seeks the presence of God there. Aspects long-forgotten are brought into new relationships with current events, and the depths of divine compassion are appreciated in ways not previously imagined.' This book sets out the fruit of these discoveries. The first chapter describes Johnson's point of departure and the rules of engagement, with each succeeding chapter distilling a discrete idea of God. Featured are transcendental, political, liberation, feminist, black, Hispanic, interreligious, and ecological theologies, ending with the particular Christian idea of the one God as Trinity.
"Does women's experience matter for theological inquiry? Elizabeth Johnson's premise is that it does ... Knowing God by name is a critical assessment and evaluation of this approach, bringing Johnson into conversation with Catholic and feminist colleagues and with Karl Barth, whose Trinitarian theology of experience maintains the divine-creaturely distinction she challenges."--P. [4], cover.
At the National Air and Space Museum in Washington, D.C. and at selected museum theaters around this country, a movies entitled 'Blue Planet' is currently being shown. Spliced together from film footage taken by astronauts in orbit around planet Earth, this movie entrances viewers with the loveliness of our planet, a small blue and white marble revolving through the black void of space.
An examination of the relationship between faith in God and the concept of ecological care within a crisis of biodiversity
The author offers an interpretation of Mary that is theologically sound, spiritually empowering, ethically challenging, socially liberating, and ecumenically fruitful. She construes the image of Mary so as to be a source of blessing rather than blight for women's lives in both religious and political terms.
A general introduction to christology presents major themes about Jesus in accessible language.
Elizabeth Johnson takes the 13 gospel appearances of Mary of Nazareth and creates a rich, deep Marian identity from this complex mosaic. Dangerous Memories is taken from her acclaimed Truly Our Sister: A Theology of Mary in the Communion of Saints (0-8264-1473-7), with the addition of a new introduction and a short annotated bibliography.