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Reclaiming Karbala
Analysing an extensive range of texts and publications across multiple genres, formats and literary lineages, Reclaiming Karbala studies the emergence and formation of a viable Muslim identity in Bengal over the late-19th century through the 1940s. Beginning with an explanation of the tenets of the battle of Karbala, this multi-layered study explores what it means to be Muslim, as well as the nuanced relationship between religion, linguistic identity and literary modernity that marks both Bengaliness and Muslimness in the region.This book is an intervention into the literature on regional Islam in Bengal, offering a complex perspective on the polemic on religion and language in the formation of a jatiya Bengali Muslim identity in a multilingual context. This book, by placing this polemic in the context of intra-Islamic reformist conflict, shows how all these rival reformist groups unanimously negated the Karbala-centric commemorative ritual of Muharram and Shī‘ī intercessory piety to secure a pro-Caliphate sensibility as the core value of the Bengali Muslim public sphere.
Media, Indigeneity and Nation in South Asia
How do videos, movies and documentaries dedicated to indigenous communities transform the media landscape of South Asia? Based on extensive original research, this book examines how in South Asia popular music videos, activist political clips, movies and documentaries about, by and for indigenous communities take on radically new significances. Media, Indigeneity and Nation in South Asia shows how in the portrayal of indigenous groups by both ‘insiders’ and ‘outsiders’ imaginations of indigeneity and nation become increasingly interlinked. Indigenous groups, typically marginal to the nation, are at the same time part of mainstream polities and cultures. Drawing on perspectives from media studies and visual anthropology, this book compares and contrasts the situation in South Asia with indigeneity globally. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-No Derivatives (CC-BY-ND) 4.0 license.
The Novel in Nineteenth-Century Bengal
How does a reader learn to read an unfamiliar genre? The Novel in Nineteenth-Century Bengal answers this question by looking at the readers of some of the first Bengali novelists, including Bankimchandra Chattopadhyay and Mir Mosharraf Hossain. Moving from the world of novels, periodicals, letters, and reviews to that of colonial educational policies, this book provides a rich literary history of the reading lives of some of the earliest novel readers in colonial India. Sunayani Bhattacharya studies the ways in which Bengalis thought about reading; how they approached the thorny question of influence; and uncovers that they relied on classical Sanskrit and Perso-Arabic literary and aesthetic models, whose attendant traditions formed not a distant past, but coexisted, albeit contentiously, with the everyday present. Challenging dominant postcolonial scholarship, The Novel in Nineteenth-Century Bengal engages with the lived experience of colonial modernity as it traces the import of the Bengali reader's choices on her quotidian life, and grants access to 19th-century Bengal as a space in which the past is to be found enmeshed with the present.
Religion and the City in India
This book offers fresh theoretical, methodological and empirical analyses of the relation between religion and the city in the South Asian context. Uniting the historical with the contemporary by looking at the medieval and early modern links between religious faith and urban settlement, the book brings together a series of focused studies of the mixed and multiple practices and spatial negotiations of religion in the South Asian city. It looks at the various ways in which contemporary religious practice affects urban everyday life, commerce, craft, infrastructure, cultural forms, art, music and architecture. Chapters draw upon original empirical study and research to analyze the foundationa...
Selected Writings of Shyamal Kumar Pramanik
Shyamal Kumar Pramanik is one of the most powerful writers of the Bangla Dalit literary movement. His evocative fictional world throws into relief the lives of the downtrodden in in contemporary India. This volume brings his fiction to a new readership by presenting English translations of a selection of his most powerful stories. This book is part of the Voices from the Margins series, which seeks to enhance the visibility of literary texts and traditions from various Indian languages and also to bring Dalit literature to the center stage. Pramanik focuses extensively on lives and lifestyles of the people in the Sundarbans, the largest mangrove forest in the world and an ecologically fragil...
Australianama
Australian deserts remain dotted with the ruins of old mosques. Beginning with a Bengali poetry collection discovered in a nineteenth-century mosque in the town of Broken Hill, Samia Khatun weaves together the stories of various peoples colonized by the British Empire to chart a history of South Asian diaspora. Australia has long been an outpost of Anglo empires in the Indian Ocean world, today the site of military infrastructure central to the surveillance of 'Muslim-majority' countries across the region. Imperial knowledges from Australian territories contribute significantly to the Islamic-Western binary of the post- Cold War era. In narrating a history of Indian Ocean connections from th...
21 Under 40
From the lyrical to the humorous, the lightly charming to the darkly disturbing, this collection gorgeously illustrates the desires, concerns and obsessions of young women from the subcontinent. This exciting new anthology showcases twenty-one of the best short stories by South Asian women under the age of forty, a new generation of writers emerging and boldly tackling new forms and styles. Spanning genres, including historical detective fiction, graphic short stories and experimental fiction, the stories are as varied as the women themselves, and celebrate the diversity and range of women’s literature in the twenty-first century. Contributors include Ruchika Chanana, Paromita Chakravarti, Roohi Choudhry, Tishani Doshi, Shahnaz Habib, Epsita Halder, Anjum Hasan, Meena Kandasamy, Mridula Koshy, Revati Laul, Madhulika Liddle, Anju Mary Paul, Swarnalatha Rangarajan, Adithi Rao, Diana Romany, Sumana Roy, Ashima Sood, Aishwarya Subramanyam, Nisha Susan, Narmada Thiranagama and Annie Zaidi.
The Myth and Identity of the Romantic Artist in European Literature
This study addresses the question of artistic identity and the myth of the artist as it has been shaped by the artists themselves. While the term artist is to be understood in a broad sense, the focus of this study is the literature of the Romantic tradition. Identity is largely perceived as a construct, and a central hypothesis of this book concerns its aesthetic value and the ways it creates dominant narratives of self-perception that produce powerful myths. The construction of the artist’s identity, be it collective or personal, rests on a series of aesthetic praxes. Caught between the mythic idealisation of poetic genius and its social devaluation, the Romantic artist seeks to create a place for himself, and in doing so, he engages in his own mythmaking. This process is studied in an interdisciplinary perspective, approaching texts and writers from different traditions. The study analyses various typologies of the artist, numerous mythmaking strategies as well as several postural techniques; all of which have sketched major direct or indirect fictional self-portraits in the European tradition.
Epiphanies in the Modernist Short Story
The poetics of epiphany have long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that in many modernist works exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers – Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield – illuminates epiphanies as complex phenomena, connected to multiple aspects of mode...
