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Becoming of the Body
Following a long tradition of objectification, 20th-century French feminism often sought to liberate the female body from the confines of patriarchal logos and to inscribe its rhythms in writing. Amaleena Damle addresses questions of bodies, boundaries and philosophical discourses by exploring the intersections between a range of contemporary philosophers and authors on the subject of contemporary female corporeality and transformation.
Fictionality, Factuality, and Reflexivity Across Discourses and Media
Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern “return to the real” cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas.
Protean Selves
What does it mean to write “I” in postmodern society, in a world in which technological advances and increased globalization have complicated notions of authenticity, origins, and selfhood? Under what circumstances and to what extent do authors lend their scriptural authority to fictional counterparts? What role does naming, or, conversely, anonymity play vis-à-vis the writing and written “I”? What aspects of identity are subject to (auto)fictional manipulations? And how do these complicated and multilayered narrating selves problematize the reader’s engagement with the text? Seeking answers to these questions, Protean Selves brings together essays which explore the intricate rela...
The Artist as Animal in Nineteenth-Century French Literature
The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions....
Temporalities in/of Crises in Anglophone Literatures
Literary works play a crucial role in modelling and conceptualising temporalities. This becomes particularly apparent in times of crises, which put conventionalised temporal patterns and routines under pressure. During crises, past, present, and future appear to collapse into each other and give way to temporal disjunction and rupture. Offering pluralised and context-sensitive approaches to temporalities in and of crises, this volume explores how literature’s engagement with crises suggests both the need for and possibility of rethinking ‘time’. The volume is committed to examining the affordances of specific genres and their potential in pointing beyond temporalities of crises to facilitate a sense of futurity. Individual essays are grounded in recent theories of temporality and literary form, which are related to novel advancements in ecocriticism, queer studies, affect theory, and postcolonial studies. The chapters cover a broad range of examples from different literary genres to reveal the knowledge of literature about temporalities in and of crises.
Jews in Suits
Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods both the renowned cultural luminaries and their many anonymous coreligionists all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.
The Flesh in the Text
The impetus behind this collection of essays was a curiosity shared by the editors concerning the relation between the flesh and the text in French and francophone literature. This subject is explored here in readings of works by, among others, Rabelais, Diderot, Sade, Proust, Beckett, Djebar, Nothomb, Delvig and Nobécourt.
Text and Image in Modern European Culture
Text and Image in Modern European Culture is a collection of essays that are transnational and interdisciplinary in scope. Employing a range of innovative comparative approaches to reassess and undermine traditional boundaries between art forms and national cultures, the contributors shed new light on the relations between literature and the visual arts in Europe after 1850. Following tenets of comparative cultural studies, work presented in this volume explores international creative dialogues between writers and visual artists, ekphrasis in literature, literature and design (fashion, architecture), hybrid texts (visual poetry, surrealist pocket museums, poetic photo-texts), and text and im...
Beckett's Proust/Deleuze's Proust
An encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.
Family Constellations in Contemporary Ibero-American and Slavic Literatures
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