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The Gods of the Greeks
Originally published in Germany fifty years ago, The Gods of the Greeks has remained an enduring work. Influential scholar Erika Simon was one of the first to emphasize the importance of analyzing visual culture alongside literature to better understand how ancient Greeks perceived their gods. Giving due consideration to cult ritual and the phenomenon of genealogical relationships between mortals and immortals, this pioneering volume remains one of the few to approach the Greek gods from an archaeological perspective. From Zeus to Hermes, each of the major deities is considered in turn, with Simon’s insights on their nature and attributes guiding the reader to a fuller understanding of how their followers perceived and worshipped them in the ancient world. This careful and fluid translation finally makes Simon’s landmark edition accessible to English-language readers. With an abundance of beautiful illustrations, the book examines portrayals of the thirteen major gods in art over the course of two millennia. Scholars who study the lives and practices of those living in ancient Greece will value this newest contribution.
Festivals of Attica
The festivals of the Athenian sacred calendar constitute a vital key to classical Greek culture and religion. Erika Simon sets out here to explicate those complex and often obscure festivals. By careful marshaling of a variety of proofs from literary, historical, and archaeological sources, she is able to justify some startling conclusions and achieve a comprehensive and truly original synthesis that clarifies, as never before, the probable origins and meanings of the Attic cults.
Religion of the Gods
In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found--that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of anthropomorphic projection say that the gods are just "big people" and that images of human religious action are simply projected onto the deities. However, such explanations do not do justice to the complexity and diversity of this phenomenon. In Religion of the Gods, Kimberley C. Patton uses a comparative approach to take up anew a longstanding challenge in ancient Greek religious iconography: why ...
Pretty Mess
NEW YORK TIMES BESTSELLER Without her alter-ego Erika Jayne, Erika Girardi says she’d just be “another rich bitch with a plane”—so get ready for the dishy, tell-all memoir from show-stopping performer, model, singer, and beloved star of The Real Housewives of Beverly Hills, Erika Jayne. Erika Jayne didn’t make it this far by holding back. Now, in her first-ever memoir, the fan favorite star of Bravo’s The Real Housewives of Beverly Hills bares her heart, mind, and soul. In Pretty Mess, Erika spills on every aspect of her life: from her rise to fame as a daring and fiery pop/dance performer and singer; to her decision to accept a role on reality television; to the ups and downs of family life (including her marriage to famed lawyer Tom Girardi, thirty-three years her senior). There’s much more to Erika Jayne than fans see on The Real Housewives of Beverly Hills. Pretty Mess is her opportunity to dig deep and tell her many-layered, unique, and inspiring life story. As fun and fearless as its author, this fascinating memoir proves once and for all why Erika Jayne is so beloved: she’s strong, confident, genuine, and here to tell all!
Greek Literature: Greek literature in the Byzantine period
This book examines the response of twentieth-century American poetry to the proliferation of technical and visual media. It treats the modern poet's problem of how to accommodate a cultural focus on photo-realism and technologically enhanced vision in a verbal aesthetic medium that itself generates no actual images. Relying on references to material media in the poets' correspondence and biographies, as well as on tropes and visual semiotics in the poems, the project explores the paradoxical sensation of reality effects in language.
The Ogre Life
Simon Lesser is a man at a crossroads - seated in the kitchen of his Brooklyn apartment with a corpse lying on the floor next to him, typing furiously on his laptop. As he tries to make sense of the life that brought him to this point, he’s convinced that everyone and everything is overwhelmed by chaos. With that thought in mind, he tells a story he wishes to strip of the trappings and art of storytelling and relate the cold facts of its random absurdity in a series of non-linear events. He traces his life as a secret, fetishistic enthusiast for female bodybuilders (called a “Schmoe”), then as a bodybuilding competitor himself, his marriage to German competitive bodybuilder Martina and his love affair with world class professional bodybuilder Erika Verletzen, an impassioned, indomitable lunatic. Erika brings WWFP Pro Jurg Betrug into the mix. Jurg, a menacing gangster of the German criminal “milieu,” has plans for all involved. But what about the corpse on the floor? Just what will Simon do with the body and with himself? Meanwhile, time is ticking away - and the corpse on the floor is beginning to stink!
Physics for OCR A for Separate Award
This series is for schools following OCR A double or separate award for GCSE science. The resources offer preparation for the OCR exams with teacher support to minimise time spent on administration. The teacher's resources are available on CD-ROM in a fully customizable format.
Papers on the Amasis Painter and His World
In connection with the Los Angeles opening of the exhibition The Amasis Painter and His World, a colloquium and symposium were held at the Getty Museum between February 28 and March 2, 1986. An international panel of scholars presented papers on various aspects of Greek vase-painting; these papers are collected as fully annotated essays in the companion volume to the exhibition catalogue. They include an essay by Dietrich von Bothmer concerning the connoisseurship of Greek vases, as well as one by Martin Robertson on the status of Attic vase-painting in the mid-sixth century; John Boardman’s discussion of Amasis and the implications of his name; Walter Burkert’s presentation on Homer in the second half of the sixth century; and a paper by Albert Henrichs on representations of Dionysos in sixth-century Attic vase-painting.
My Laocoön
Several Laocoons are identified in this study: the alleged lost "Greek original"; the extant marbles sculpted in the first century; the sixteenth-century restoration and its affect; the eighteenth- and nineteenth-century topos of critical judgment; and the twentieth-century re-restored artifact of ancient art.
