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Finalist for the Margaret Laurence Award for Fiction and Eileen McTavish Sykes Award for Best First Book, 2016 Manitoba Book Awards From the killing fields of Europe to the merciless beauty of the Canadian prairies, Let Us Be True tells the story of three women whose lives have been shaped and damaged by secrets—their own and those that stretch back through time, casting their shadow from one generation to the next. Pearl Calder, a woman in her seventies, has thrown away her past and kept it a secret from her daughters. But as Pearl confronts her own mortality, she begins to understand what her dead husband, Henry, always knew: Secrets are like dark and angry ghosts. And they don’t just ...
The efficacy and risks of different birth control options are dramatically different today from what they once were thanks to scientific advances and increased awareness of STDs and other factors. In the most comprehensive book on birth control since the 1970s, women's health activist Laura Eldridge discusses the history, scientific advances, and practical uses of everything from condoms to the male pill to Plan B. Do diaphragms work? Should you stay on the Pill? What does fertility awareness really mean? Find these answers and more in In Our Control, the definitive guide to modern contraceptive and sexual health. Eldridge presents her meticulous research and unbiased consideration of our op...
Force of Culture examines Massey's notion of culture, its conflicted roots in late nineteenth-century and early twentieth-century Canadian Protestant thought, and Massey's transformation into a champion of culture as a bastion of Canadian sovereignty.
From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall
Weaving together concerns about environmental and social justice, Teaching as Activism brings together constructive demands for change and theoretical debate. Written by activists who also teach, the essays challenge the current pedagogical literature with proposals that would bring discussion of social and environmental responsibility into postsecondary science, the classroom, and the community. With backgrounds in feminist science and indigenous knowledges critiques, the contributors emphasize the importance of appreciating indigenous knowledges, recognizing our bias about how knowledge is presently produced, and integrating science with a human spiritual connection to nature. The goals ar...
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their...
Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought after Canadian painters. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 65 colour plates bring to light their paintings, some of which have lain hidden for more than fifty years. With a clear and concise style directed to the aficionado and scholar alike, this book is the ultimate reference on the Beaver Hall women.
For over half her life, Sally Patton has engaged in a contemplative, spiritual practice to awaken from separation consciousness. In Life Is a Song of Love, she draws upon channeled non-dual teachings from Yeshua and Mother Mary, combined with a variety of teachings from many faith traditions and spiritual paths, to answer a unique call to be an emissary of Divine Feminine Compassionate Consciousness. The Holy Mother has returned to heal into wholeness the division between feminine and masculine energies, necessary to end thousands of years of patriarchal domination. Sally helps women wake to the strength of the Mother within, embracing the sacredness of all life on Mother Earth.
In Sanctifying Misandry, Katherine Young and Paul Nathanson challenge an influential version of modern goddess religion, one that undermines sexual equality and promotes hatred in the form of misandry - the sexist counterpart of misogyny. To set the stage, The authors discuss two massively popular books - Dan Brown's the Da Vinci Code and Riane Eisler's the Chalice And The Blade - both of which rely on a feminist conspiracy theory of history. They then show how some goddess feminists and their academic supporters have turned what Christians know as the Fall of Man into the fall of men. In the beginning, according to three "documentary" films, our ancestors lived in an egalitarian paradise un...
The prairies are a focal point for momentous events in Canadian history, a place where two visions of Canada have often clashed: Louis Riel, the Manitoba School Question, French language rights, the 1919 Winnipeg General Strike, and the dramatic collapse of the Meech Lake Accord when MLA Elijah Harper voted “No.”Gerald Friesen believes that it is the responsibility of the historian to “tell local stories in terms and concepts that make plain their intrinsic value and worth, that explain the relationship between the past and the present.” For local experiences to have any relevant meaning, they must be put into the context of the wider world.These essays were written for the general r...