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Between 1780 and 1850, the growing prominence of female singers in Britain's professional and amateur spheres opened a fraught discourse about women's engagement with musical culture. Protestant evangelical gender ideology framed the powerful, well-trained, and expressive female voice as a sign of inner moral corruption, while more restrained and delicate vocal styles were seen as indicative of the performer's virtuous femininity. Yet far from everyone was of this persuasion, and those from alternative class and religious milieux responded in more affirmative ways to the sound of professional female voices. The meanings listeners ascribed to women's voices reflect crucial developments in the...
A gripping tale that crisscrosses Europe, Latin America, and the United States and Canada, Bloodlines underscores the complexity and sophistication of organized crime at its highest levels. It illustrates how the Caruana-Cuntrera family operates in the netherworld where the financial engineering that supports the global economy bumps up against the billions of dollars of criminal proceeds that need to be laundered.
The runaway bestselling exposé about Canada's most infamous mafia family is finally available in English, updated to include shocking events and revelations that followed its newsmaking publication in Québec. Queens, New York, 1981. When Alphonse "Sonny Red" Indelicato and two others are found dead in a vacant lot, police fail to solve their murders. For their killer and his Montréal family, their deaths mark the beginning of an epic rise to criminal power that will last over thirty years. But in the mid-2000s, having escaped justice for decades, father and son Nicolo and Vito Rizzuto are finally arrested and convicted, one in Montréal and one in the United States. Meanwhile, deep inside...
Part I. Clouds of feeling: excerpt audio recordings. Imagining excerpts; Rhetorics of seduction; Demons and dandies; All too human -- Part II. Invented works : complete audio records. The visual stage; Cruel laughter; Dancing in time -- Part III. Partial visions : video recordings. Zooming in, gazing back; Trauma retold; Libertines punished.
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
"From the early days of radio broadcast to today's recorded simulcasts and live online productions, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera's engagement with screen media. Foregrounding a playful exchange and self-awareness between stage and screen, Screening the Operatic Stage analyzes how opera sees itself on video. Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. These screen cultures reveal how inherently "technological" opera is as a medium, begging the question of whether it can be understood independently of technology. Ultimately, Screening the Operatic Stage shows how the technologies of televisual representation employed in opera reinforce its audience's expectations for the genre"--
The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests or when facing the firing squad. While many of the accompanying stories were exaggerated, or even invented, by later generations, Verdi's operas—along with those by Rossini, Donizetti, and Mercadante—did inspire Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. A...
Stagecrafting the City -- Florence, Opera, and Technological Modernity -- Funeral Entrainments -- Errico Petrella's Jone and the Band -- Global Voices -- Adelina Patti, Multilingualism, and Bel Canto (as) Listening -- "Ito per Ferrovia" -- Opera Productions on the Tracks -- Aida, Media, and Temporal Politics circa 1871-72.
Focusing on opera and modernism in postwar Venice, Boyd-Bennett challenges assumptions about music in the twentieth century.
The collapse of the Soviet Union and the wars in Yugoslavia radically changed the security environment in Europe and Central Asia. Some predictions assumed the emerging unipolarity of the liberal world order would end neutrality policies in East and West, but, as this volume shows, this was not the case. While some traditional Cold War neutrals like Sweden and Finland have been edging closer to security alignment with western institutions, there are others like Austria, Switzerland, Ireland, and Malta that remained committed to their traditional nonaligned foreign policy approaches. More importantly, there are areas of Eurasia that developed new forms of neutrality policies, most of them onl...