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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
In an era of intense religious conflict in Europe and ongoing exploration of the lands beyond Europe, Cérémonies et coutumes religieuses de tous les peuples du monde (1723-37) set a new agenda for thinking about faith and provided a lasting visual template for representing the world's religions. In the work's seven massive volumes, Jean Frederic Bernard and the renowned engraver Bernard Picart invited readers to view religions and their institutions as cultural practices. Bernard Picart and The First Global Vision of Religion approaches this much-cited but little-studied work from a variety of angles. Its fifteen scholarly essays examine Bernard and Picart's authorial and artistic strategies, the handling of religious difference in Cérémonies et coutumes religieuses, and the cultural context that fostered the creation of one of the most influential works of comparative religion ever published.
This is the first book to bring together studies of a wide variety of millenarians who were active in the 17th and 18th centuries in France, The Netherlands, Germany, Sweden, and eastern Europe. It provides much food for thought for students and teachers of early modern ideas, the history of philosophy and religion, and the making of the modern world. It opens up many avenues for further work.
How do young scholars from the Arab world interact with English literature? Is literature relevant to their life? Can it help shape their reality? Is this affiliation new, or is there a pattern? This book poses some answers to these questions and more; it is ideal for university students and young intellectuals who seek further insight into world literature and literary theory. As this book shows, strong and courageous voices from the past, voices that transcend time and space, like Swift’s, must remain alive in the departments of English and world literature in this wasteland of globalization - a world dominated by cold science, materialism, and conflict. There is need for Swift to haunt us, for his ghost to wake us to the truth. Anarchist, anti-colonialist, nay-sayer, champion of the oppressed and conscious of the plight of women, Swift is the ultimate “therapeutic ironist”; what more can a pen do?
This edited volume examines how individuals and communities defined and negotiated the boundaries between inclusion and exclusion in England between 1550 and 1800. It aims to uncover how men, women, and children from a wide range of social and religious backgrounds experienced and enacted exclusion in their everyday lives. Negotiating Exclusion takes a fresh and challenging look at early modern England’s distinctive cultures of exclusion under three broad themes: exclusion and social relations; the boundaries of community; and exclusions in ritual, law, and bureaucracy. The volume shows that exclusion was a central feature of everyday life and social relationships in this period. Its chapt...