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Is it a show about nothing or one of the greatest TV series of all time? It's both, of course! Seinfeld's impact on popular culture was so profound that it continues to this day-years after it left prime time-thanks to its inimitable characters (Newman! Bubble Boy!), its wacky, memorable plots (who can forget “The Contest” or “The Puffy Shirt”?), and the many catchphrases we use regularly (not that there's anything wrong with that). Seinfeld FAQ is the first-ever comprehensive guide to the sitcom, tracing its path from modest beginnings to water-cooler-show status and to its infamous, love-it-or-hate-it finale. This humor-filled reference tells all about Jerry, Elaine, George, and Kramer, as well as the other unforgettable characters in their world. It features season-by-season episode reviews and a wealth of fun facts about everything from the characters' inevitably doomed relationships to their food obsessions and fashion sense (or lack thereof) as well as profiles of actors and other notables. Broad in scope and yet obsessed with detail (like the show itself), this FAQ is essential reading for anyone who wants to be master of the Seinfeld domain.
Volume XXIX of Studies in Contemporary Jewry takes its title from a joke by Groucho Marx: "I don't want to belong to any club that will accept me as a member." The line encapsulates one of the most important characteristics of Jewish humor: the desire to buffer oneself from potentially unsafe or awkward situations, and thus to achieve social and emotional freedom. By studying the history and development of Jewish humor, the essays in this volume not only provide nuanced accounts of how Jewish humor can be described but also make a case for the importance of humor in studying any culture. A recent survey showed that about four in ten American Jews felt that "having a good sense of humor" was ...
"An uproarious behind-the-scenes account of the creation of the hit television series describes how comedians Larry David and Jerry Seinfeld dreamed up the idea for an unconventional sitcom over coffee and how, despite network skepticism and minimal plotlines, achieved mainstream success, "--NoveList.
Kevin Costner's award-winning film, Dances With Wolves was first released in 1990. Dakota Epic is a first-hand account of the filming from an extra's viewpoint. Bill Markley, a reenactor on the set, kept a journal during the filming. "When I was selected to be in Dances With Wolves, I had no movie or reenacting experience, so everything was new to me." From a rookie's viewpoint, Bill takes us into the world of movie-making and reenacting. Experience the filming of the opening Civil War scenes. Visit the "frontier" at Ft. Hays. And be with the Lakota and cavalry at the concluding Search for Dunbar. This is a rousing, humorous look behind the scenes of movie-making. The illustrations were created by Jim Hatzell, a reenactor and artist who drew a wide variety of sketches while on the set. Bill and Jim have worked together to develop a unique view of life on the Dances With Wolves film set. If you have ever wondered what the background people were doing and thinking during and between filming, then this is the book for you. You will never view the people in a film"s background quite the same after reading this book.
This updated and expanded anthology offers an engaging overview of one of the oldest and most ubiquitous forms of television programming: the sitcom. Through an analysis of formulaic conventions, the contributors address critical identities such as race, gender, and sexuality, and overarching structures such as class and family. Organized by decade, chapters explore postwar domestic ideology and working-class masculinity in the 1950s, the competing messages of power and subordination in 1960s magicoms, liberated women and gender in 1970s workplace comedies and 1980s domestic comedies, liberal feminism in the 1990s, heteronormative narrative strategies in the 2000s, and unmasking myths of gender in the 2010s. From I Love Lucy and The Honeymooners to Roseanne, Cybill, and Will & Grace to Transparent and many others in between, The Sitcom Reader provides a comprehensive examination of this popular genre that will help readers think about the shows and themselves in new contexts. For access to an online resource created by Mary Dalton, which includes interviews with contributors and course lectures, visit: The Sitcom Reader: A Companion Website @ https://build.zsr.wfu.edu/sitcomreader
This is the eBook version of the printed book. Like what you've read? Get more in Stumbling On Wins: Two Economists Expose the Pitfalls on the Road to Victory in Professional Sports (9780132357784) by David J. Berri and Martin B. Schmidt. Available in print and digital formats. Why NFL general managers keep making so many mistakes: the shocking realities hidden in the statistics! How many wins a quarterback produces depends on two factors: his number of plays and per-play productivity. High draft position gets him on the field, but doesn’t appear to say anything about how well he’ll play. Per-play numbers reveal that players taken with picks 11-50 were more productive than those taken at the top; QBs taken from picks 51-90 were as productive as those in the top ten.
This is the eBook version of the printed book. Like what you've read? Get more in Stumbling On Wins: Two Economists Expose the Pitfalls on the Road to Victory in Professional Sports (9780132357784) by David J. Berri and Martin B. Schmidt. Available in print and digital formats. In basketball, spending explains less than 10% of the variation in wins. Discover what explains the other 90%! In basketball, success takes more than money. From 1997-98 to 2003-04, the Knicks finished either first or second in payroll—and won only six more games than they lost. Their “averageness” led them to hire Isiah Thomas. Few people knew more about basketball. Thomas’s path to disaster began with his first move: sending several players and draft picks to the Suns for players, including Stephon Marbury.
Shawn Krest is an incredible and gripping sportswriter who shares a detailed narrative behind the best and worst MLB player trades in history. Few topics of baseball can get fans as easily riled up as trades, and any baseball fan will spout words of rage or thrill at the big blockbuster ones. However, reviewing those mismatch trades is a little like judging the best home runs by how far they went. Instead of only focusing on the first-round knockouts, this book deals with the 12-round title fights of baseball trades. The best trades are the ones that changed the history of the sport. The worst ones didn't just get a GM fired-they cost a city its team. In this book, readers get a bird's eye v...
Since the early days of television, well before most households had a set, the Academy of Television Arts and Sciences has been handing out honors for the industry's best efforts. Now fans can read about their favorites--and perhaps rediscover some forgotten pleasures--in this reference to prime time and nighttime Emmy winners. Beginning with the heated charade contest known as Pantomime Quiz, which won Most Popular Program of 1948 in the first Emmy Awards ceremony (held in 1949), each of more than 100 winning shows gets star treatment with an entry that includes the year of award or awards, air times, hosts, guests, casts and a full discussion of the show's history and run. Many of the entries include original interviews with cast or crew members. With such rich information, each show's entry constitutes a chapter in the history of television through the story of the show and the people who made it happen. The best of variety, drama, game shows, comedies, adventures and many more categories are featured. An appendix offers interesting facts and figures and ranks shows according to such statistics as longest run, longest delay from debut to win, and most Emmys won.
The current generation knows him as the serenity-seeking Frank Costanza from Seinfeld. An older generation knows him as one-half of the comedy team Stiller and Meara. But, as his memoir, Married to Laughter, reveals, Jerry Stiller has had a lifelong love affair with entertainment. Growing up during the Depression in Brooklyn and on Manhattan's Lower East Side, Jerry Stiller discovered the power of comedy when, as a child, he saw Eddie Cantor transform an audience. Jerry's father often took him to vaudeville performances, where Jerry decided that he, too, wanted to make people laugh. He studied drama at Syracuse University, where a charismatic professor inspired Jerry to believe that he could...