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Georg Baselitz: Vedova Accendi La Luce
Two new series from the great champion of European figurative painting During 2020, German artist Georg Baselitz (born 1938) created two bodies of work, documented here: the first series is a tribute to his departed friend and Italian icon of Arte Informale, Emilio Vedova; the other is dedicated to, and named for, his wife, Elke.
Alain Elkann Interviews
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Tony Cragg
Issued in connection with an exhibition held July 30-Nov. 6, 2001, Scottish National Gallery of Modern Art, Edinburgh.
David Salle
Loosely adapted from the nineteenth-century river scenes of George Caleb Bingham, David Salle's latest paintings of boats, water and abutting wedges of landscape are completed by panels reprising the iconic women of his 1980s paintings. This slim volume reproduces a selection of works from Salle's 2011 exhibition at Mary Boone Gallery in New York.
Joseph Beuys: Utopia at the Stag Monuments
Accompanying the most important UK exhibition of Joseph Beuys' (1921-86) work in over a decade, this comprehensive publication traces the development of the artist's practice from his early, rarely seen works to his conceptual environments. At the heart of this exhibition stands Stag Monuments, exhibited whole for the first time since its creation.
Anselm Kiefer - für Andrea Emo
Für Andrea Emo brings together around twenty paintings and three vitrines alongside recent diaries of Anselm Kiefer (born 1945). Dedicated to nihilist philosopher Andrea Emo, Kiefer's use of molten lead on painted canvases reflects his interest in the concept of destruction and regeneration.
Monumental Minimal
Showcasing 21 works by the artists who spearheaded minimalism--Donald Judd, Carl Andre, Dan Flavin, Robert Mangold, Sol LeWitt and Robert Morris--this catalog seeks to explore these artists' ambivalent relationship to the notion of the monument. In this respect, Dan Flavin's 1967 Monument, a stepped formation of white fluorescent tubes dedicated to Russian artist Vladimir Tatlin, is the chronological and conceptual starting-point of the exhibition. This emblematic work demonstrates the importance of constructivist theories for minimalism, and the European roots of an art often considered to be typically American. The exhibition looks into transatlantic exchanges and influences for the artists of the New York scene: Carl Andre and Robert Morris have both recognized the influence of Constantin Brancusi's work on their own, while Robert Mangold has acknowledged his admiration of Piet Mondrian. Alongside an essay by curator Philippe Vergne, Monumental Minimal includes full-spread installation views of the exhibition as well as archival photographs.
Donald Judd
Donald Judd hat als einer der bedeutendsten Vertreter der amerikanischen Minimal Art auch einen nachhaltigen Einfluss auf die Architektur ausgeübt. Das vorliegende Buch ist das erste, das sich mit Judds gebautem Werk aus architektonischer Sicht auseinandersetzt. Mit Hilfe der einheitlich erstellten CAD-Zeichnungen sowie historischer und aktueller Fotografien werden Judds architektonische Eingriffe an den Gebäuden dokumentiert.
