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Induced Seismic Events
Induced seismic events are of high scientific and economic significance. They are the result of human activities interacting with regional and local tectonics, changing the local crustal stress state by mining, extraction of rock masses, injection of fluids into the rock massif, and by changing the surface loading and pore pressure state near large reservoirs. Within Europe the study of induced seismic events has a long tradition and international scientific organizations have actively stimulated the co-operation in this field. During its General Assembly in September 1994, the European Seismological Society organized the symposium "Induced Seismic Events". The focus of this symposium was concentrated on induced events in central and eastern Europe, as well as in the former Soviet Union. The major contributions to the symposium, and also some Chinese, Canadian, and South African results are presented here. Case studies as well as data analyses and methodological studies are included. Seismologists and specialists working in the field of geohazard prevention will find much information in this volume that is pertinent to their work.
Revealing Masks
W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Ig...
Sounds of War
Classical music in 1940s America had a cultural relevance and ubiquitousness that is hard to imagine today. No other war mobilized and instrumentalized culture in general and music in particular so totally, so consciously, and so unequivocally as World War II. Through author Annegret Fauser's in-depth, engaging, and encompassing discussion in context of this unique period in American history, Sounds of War brings to life the people and institutions that created, performed, and listened to this music.
Driven Into Paradise
"This is a long overdue and brilliant contribution to our understanding of the intellectual migration from Europe. The essays in this volume illuminate in new ways the experiences of musicians and scholars who fled Europe."—Leon Botstein, Music Director, American Symphony Orchestra "With a sweep and coherence very rare in essay collections, this volume immediately takes its place as one of the most important publications on twentieth-century music. The range of source materials is dazzling: anecdotes, letters, memoirs, interviews, newspaper articles, musical scores, films, and archival documents. Handled with deft scholarship, they add up to a balanced yet deeply moving account of how figures of exile experienced and transformed American culture."—Walter Frisch, author of The Early Works of Arnold Schoenberg
