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The letters in this volume cover two of the most momentous years in Darwin's life. Begun in 1856 and the fruit of twenty years of study and reflection, Darwin's manuscript on the species question was a little more than half finished, and at least two years from publication, when in June 1858 Darwin unexpectedly received a letter and a manuscript from Alfred Russel Wallace indicating that he too had independently formulated a theory of natural selection. The letters detail the various stages in the preparation of what was to become one of the world's most famous works: Darwin's On the Origin of Species by Means of Natural Selection, published by John Murray in November 1859. They reveal the first impressions of Darwin's book given by his most trusted confidants, and they relate Darwin's anxious response to the early reception of his theory by friends, family members, and prominent naturalists. This volume provides the capstone to Darwin's remarkable efforts for more than two decades to solve one of nature's greatest riddles - the origin of species.
This volume presents 1,592 letters, 668 of them previously unpublished, for the years 1850 to 1852. This was a time of great activity for Dickens, who completed the serial publication of David Copperfield, began work on Bleak House, successfully established the weekly Household Words (in which his own serial A Child's History of England appeared), and wrote about 100 articles and stories for the journal, including many uncollected pieces. In April 1851 he and Sir Edward Bulwer Lytton founded the Guild of Literature and Art, a scheme to help writers and artists. He also suffered a number of personal blows: the deaths of his father, his baby daughter Dora, and two of his close friends, Richard Watson and Alfred D'Orsay; there was also anxiety over the illness of his wife Catherine.
The Victorian period was the age of the novel and critics at the time clearly saw the importance of prose fiction. First published in 1993, this anthology contains over fifty original extracts from contemporary critics on the early and mid-Victorian novel. Arranged thematically, the volume covers such topics as literary form, the social responsibility of literature, issues of politics and gender, the influence of criticism, realism, plot and characterisation, imagination and creativity, and the office and social standing of the novelist. The introductions and notes draw together the large number of voices and guide the reader through the Victorian literary critical debate. This accessible and invaluable guide will be of interest to those studying Victorian literature.