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Gerardus van der Leeuw was one of the first to attempt a rapprochement between theology and the arts, and his influence continues to be felt in what is now a burgeoning field. Sacred and Profane is the fullest expression of his pursuit of a theological aesthetics, surveying religion's relationship to all the arts -- dance, drama, literature, painting, sculpture, architecture, and music. This edition makes this seminal work, first published in Dutch in 1932, newly available. A new foreword by Diane Apostolos-Cappadona analyzes the continuing relevance of van der Leeuw's thought. Van der Leeuw's impassioned and brilliant investigation of the relationship between the holy and the beautiful is f...
Sinceits founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
The nature of what has been termed the ""phenomenology of religion"" has been the subject of controversy and confusion within the academic study of religion since the early 1950s. Here George Alfred James attempts to clarify the subject through an exploration of the self-understanding of three of its key exponents: Pierre D�niel Chantepie de la Saussaye, W. Brede Kristensen, and Gerardus van der Leeuw. Though the three are widely acknowledged to have had a decisive impact on the phenomenology of religion, they are not widely studied. James deals with each of the three in turn and shows how each saw his efforts as at once a-historical, a-theological, and anti-reductive. According to James, ...
This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion, on the one hand, and theology, on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religio
The philosophy of religion is one of several very active branches of philosophy today, and the present series is designed both to consolidate the gains of the past and to direct attention upon the problems of the future. Between them these volumes will cover every aspect of the subject, introducing it to the reader in the state in which it is today, including its open ends and growing points. Thus the series is designed to be used as a comprehensive textbook for students. But it is also offered as a contribution to present-day discussion; and each author will accordingly go beyond the scope of an introduction to formulate his own position in the light of contemporary debates.
This book provides a comprehensive selection of readings that relate to and explore the definition of religion. The texts come from a wide range of approaches, unified both by the questions they are addressing and their broadly social scientific perspective. The disciplines covered include anthropology, phenomenology, psychology and sociology. The editors have also included some key texts relating to the feminist approach to and critique of religion. The first section of the book includes some of the foundational texts, such as materials by Marx, Freud, and Durkheim. The remaining sections look at more recent discussions of the issues from the different disciplinary perspectives. Each reading is introduced by a biographical sketch of the author. The book also includes introductory discussions to each section that both raise the key issues developed in a particular discipline and address the disciplinary approaches from a more critical stance. Theories of Religion: A Reader is an invaluable critical resource, accessible to a broad audience as well as students of theology and religious studies.
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
The Conquest of Illusion, written by Dutch theosophist and author J. J. van der Leeuw and first published in 1928, is remarkable for its very clear exposition of the nature of illusion and the need to pierce its veil and find the reality that exists at every moment of time. “We always seek in the wrong direction,” says Dr. van der Leeuw, “we always want more time; we demand even endless time in our quest of immortality. Yet the infinitely greater Reality is ever ours to enter if we but will.”