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The Fabulous Furry Freak Brothers: The Idiots Abroad and Other Follies
With the imminent release of a new animated series, Gilbert Shelton's legendary underground comix heroes find a new crash pad at Fantagraphics.
The Fabulous Furry Freak Brothers Omnibus
All the Freak Brothers stories, book covers, posters and merchandise collected together in one big volume. The definitive Freak Brothers book for years to come.
Dirty Pictures
A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripp...
The Fabulous Furry Freak Brothers Compendium
The definitive underground comic strips. Published in 15 languages and with worldwide sales of over 40 million copies along with countless items of merchandise. The Fabulous Furry Freak Brothers are timeless clowns; it's the traditional, simple, basic forms of humour at the heart of these tripped-out cartoons - from slapstick to silly punchlines and Shelton's mastery of satire - which have kept them fresh and mirthful for 40 years. Collected here, a short selection of classic strips to serve as the perfect introduction to Gilbert Shelton's famous work.
Homegrown
Before Austin became the “live music capital of the world” and attracted tens of thousands of music fans, it had a vibrant local music scene that spanned late sixties psychedelic and avant-garde rock to early eighties punk. Venues such as the Vulcan Gas Company and the Armadillo World Headquarters hosted both innovative local musicians and big-name touring acts. Poster artists not only advertised the performances—they visually defined the music and culture of Austin during this pivotal period. Their posters promoted an alternative lifestyle that permeated the city and reflected Austin’s transformation from a sleepy university town into a veritable oasis of underground artistic and cu...
The Texas Book
Provides personality profiles, historical essays, and first-person reminiscences of the history of the University of Texas. Topics include recurring attacks on the school by politicians and regents, the institution's history of segregation and struggles to become a diverse university, the sixties' protest movements, and the Tower sniper shooting.
Trips
Trips shows, using color illustrations, the latest research, and bleeding-edge cultural analogies, how the still-mysterious hallucinogens may work in the still-mysterious brain. Written in language a general audience can understand, the book's tone is light and irreverent, yet at the same time deals with the drug culture in a serious way. Trips offers readers a rare look at the social, cultural, historical, and scientific phenomenon of psychedelics-through the eyes of artists who've grown up with them, regulators who control them, federal scientists who approve and fund their research, and scientists who've spent careers studying them—and in the process fills a growing need for truthful in...
A History of Underground Comics
In the land that time forgot, 1960s and 1970s America (Amerika to some), there once were some bold, forthright, thoroughly unashamed social commentators who said things that “couldn't be said” and showed things that “couldn't be shown.” They were outrageous — hunted, pursued, hounded, arrested, busted, and looked down on by just about everyone in the mass media who deigned to notice them at all. They were cartoonists — underground cartoonists. And they were some of the cleverest, most interesting social commentators of their time, as well as some of the very best artists, whose work has influenced the visual arts right up until today. A History of Underground Comics is their stor...
Radical America Komiks
Radical America, a journal affiliated with Students for a Democratic Society published a memorable "underground comix" edition in 1969. Its principal artist and editor, Gilbert Shelton, whose Fabulous Furry Freak Brothers would be enjoyed in many editions across the world, brought to the project his Texas pals Frank Stack and Jack Jaxon. Also on hand, among others, were Chicago comics innovators Jay Lynch and Skip Williamson. Together, these and other contributors issued a veritable artistic manifesto: a new vernacular art had arrived A half century after its original appearance, Radical America Komiks retains its rebellious spirit and its rollicking humor.
