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Unfinished Revolutions
Original essays that show how the French Revolution continues to influence that country to the present day.
Inventing the Spectator
Inventing the Spectator reconstructs the theatre spectator's experience as it was understood in France between the Renaissance and the Revolution, raising numerous questions that strike at the very heart of human psychology, cognition, and experience.
Elegy for Theory
Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970s and 1980s, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy o...
European Film Theory
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
Universalism and Liberation
The changing attitude of Catholic culture towards modernity After decades of a problematic, if not plainly hostile, approach to modernity by Catholic culture, the 1960s marked the beginning of a new era. As the Church employed a more positive approach to the world, voices in the Catholic milieu embraced a radical perspective, channeling the need for social justice for the poor and the oppressed. The alternative and complementary world views of ‘universalism’ and ‘liberation’ would drive the engagement of Catholics for generations to come, shaping the idea of international community in Catholic culture. Because of its traditional connection with the papacy and because of its prominent role in the map of European progressive Catholicism, Italy stands out as an ideal case study to follow these dynamics. By locating the Italian scenario in a broader geographical frame, Universalism and Liberation offers a new vantage point from which to investigate the social and political relevance of religion in an age of crisis.
The Castrato
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
Embattled Avant-Gardes
"Adamson leads his readers through intricate debates with care and skill. Even the non-specialist reader will come away with an understanding of the stakes in modernist studies."—Mary Gluck, author of Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris "No serious student of the European avant-garde in the early twentieth century will be able to overlook this subtle and impassioned attempt to rethink its history: its far-reaching ambitions and its strategies for achieving them, its successes and its failures. Because of Adamson's distinctive perspective and the breadth of his research, I persistently found myself being forced to rethink the history of the European avant-garde and question some of my own assumptions and conclusions."—Robert Wohl, author of The Spectacle of Flight: Aviation and the Western Imagination, 1920-1950
Proof Through the Night
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
