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European Film Theory
European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
Contemporary Visual Culture and the Sublime
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Editor's Introduction -- 1 The Event That Cannot (Not) Happen -- 2 Sublimity and the Dialectic of Horror and Spirituality -- 3 The Popular Sublime and the Notional Sublime -- 4 Of Fake and Real Sublimes -- 5 "Black and Glittering": The Inscrutable Sublime -- 6 Uncertainty Prone to Vulgarity -- 7 Recentering the Sublime: Cognitive and Neuropsychological Approaches -- 8 Flow, Freedom, and the Gamified Sublime -- 9 The Ambiguity Effects of the Techno-Sublime -- 10 From Diagrams to Deities: Evoking the Cosmological Sublime -- 11 Feeling Not at Home in the Twenty-First-Century World: The Sublimein Contemporary Environmental Aesthetics -- 12 The Sublime as a Mode of Address in Contemporary EnvironmentalPhotography -- 13 Magnificent Disasters: Sublime Landscapes in Post-Millennial Cinema -- 14 Psychedelia and the History of the Chemical Sublime -- 15 The Birds and the Bees -- List of Contributors -- Index
The Image in French Philosophy
The Image in French Philosophy challenges dominant interpretations of Bergson, Sartre, Lyotard, Baudrillard and Deleuze by arguing that their philosophy was not a critique but a revival of metaphysics as a thinking pertaining to impersonal forces and distinguished by an aversion to subjectivity and an aversion of the philosophical gaze away from the discourse of vision, and thus away from the image. Insofar as the image was part of the discourse of subjectivity/representation, getting rid of the subject involved smuggling the concept of the image out of the discourse of subjectivity/representation into a newly revived and ethically flavored metaphysical discourse--a metaphysics of immanence,...
The Figure of the Migrant in Contemporary European Cinema
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for ...
The Figure of the Migrant in Contemporary European Cinema
The Figure of the Migrant in Contemporary European Cinema explores contemporary debates around the concepts of 'Europe' and 'European identity' through an examination of recent European films dealing with various aspects of globalization (the refugee crisis, labour migration, the resurgence of nationalism and ethnic violence, neoliberalism, post-colonialism) with a particular attention to the figure of the migrant and the ways in which this figure challenges us to rethink Europe and its core Enlightenment values (citizenship, justice, ethics, liberty, tolerance, and hospitality) in a post-national context of ephemerality, volatility, and contingency that finds people desperately looking for ...
Genre in Asian Film and Television
Genre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity in contemporary films and television programmes.
The Aesthetic Dimension of Visual Culture
How can aesthetic enquiry contribute to the study of visual culture? There seems to be little doubt that aesthetic theory ought to be of interest to the study of visual culture. For one thing, aesthetic vocabulary has far from vanished from contemporary debates on the nature of our visual experiences and its various shapes, a fact especially pertinent where dissatisfaction with vulgar value relativism prevails. Besides, the very question—ubiquitous in the debates on visual culture—of what is natural and what is acquired in our visual experiences has been a topic in aesthetics at least since the Enlightenment. And last but not least, despite attempts to study visual culture without employ...
Warped Minds
An illuminating investigation on the depiction of madness from early horror films of the 20s and 30s to the proliferation of today's conspiracy thrillers.
Branding Berlin
This book is a cultural history of post-Wall urban, social, political, and cultural transformations in Berlin. Branding Berlin: From Division to the Cultural Capital of Europe presents a cultural analysis of Berlin’s cultural production, including literature, film, memoirs and non-fiction works, art, media, urban branding campaigns, and cultural diversity initiatives put forth by the Berlin Senate, and allows readers to understand the various changes that transformed the formerly divided city of voids into a hip cultural capital. The book examines Berlin’s branding, urban-economic development, and its search for a post-Wall identity by focusing on manifestations of nostalgic longing in d...
Religion in the Age of Re-Globalization
This book provides a concise introduction into twenty-one trends that are transforming the role of religion and spirituality in “re-globalizing” societies. In referring to processes of “re-globalization”, the book draws attention to profound ongoing changes in the patterns and mechanisms of contemporary globalization. Inter- and transdisciplinary in its approach, clearly structured, and easy to read, the book analyzes the impact of religious self-understanding, rhetoric, and practice on five core fields: economics, politics, culture, demography, and technology. In turn, it describes the effects of these five fields on religion and spirituality themselves. This book represents a broad...
