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The Thousand Faces of Night
Winner Of The 1993 Commonwealth Writers&Rsquo; Prize For Best First Book What Makes A Dutiful Daughter, Wife, Mother? What Makes A Good Indian Woman? Devi Returns To Madras With An American Degree, Only To Be Sucked In By The Old Order Of Things&Mdash;A Demanding Mother&Rsquo;S Love, A Suitable But Hollow Marriage, An Unsuitable Lover Who Offers A Brief Escape. But The Women Of The Hoary Past Come Back To Claim Devi Through Myth And Story, Music And Memory. They Show Her What It Is To Stay And Endure, What It Is To Break Free And Move On.Sita Has Been The Ideal Daughter-In-Law, Wife And Mother. But Now That She Has Arranged A Marriage For Her Daughter She Has To Come To Terms With An Old Dream Of Her Own. Mayamma Knows How To Survive As The Old Family Retainer, Bending The Way The Wind Blows. But, Through Devi, She Too Can See A Different Life. A Subtle And Tender Tale Of Women'S Lives In India, This Award-Winning Novel Is Structured With The Delicacy And Precision Of A Piece Of Music. Fusing Myth, Tale And The Real Voices Of Different Women, The Thousand Faces Of Night Brings Alive The Underworld Of Indian Women&Rsquo;S Lives. &Lsquo;
Almost Home
What does a medieval city in South India have in common with Washington D.C.? How do people in Kashmir imagine the freedom they long for? To whom does Delhi, city of grand monuments and hidden slums, actually belong? And what makes a city, or any place, home? In ten intricately carved essays, renowned author Githa Hariharan tackles these questions and takes readers on an eye-opening journey across time and place, exploring the history, landscape, and people that have shaped the world's most fascinating and fraught cities. Inspired by Italo Calvino's playful and powerful writing about journeys and cities, Harihan combines memory, cultural criticism, and history to sculpt fascinating, layered stories about the places around the world--from Delhi, Mumbai, and Kashmir to Palestine, Algeria, and eleventh century Córdoba, from Tokyo to New York and Washington. In narrating the lives of these place's vanquished and marginalized, she plumbs the depths of colonization and nation-building, poverty and war, the fight for human rights and the day-to-day business of survival.
Fugitive Histories
&Lsquo;Githa Hariharan&Rsquo;S Fiction Is Wonderful&Mdash;Full Of Subtleties And Humour And Tenderness&Rsquo; &Mdash;Michael Ondaatje Mala&Rsquo;S Home In Delhi Is Empty, Save For A Lifetime Of Sketches Left Behind By Her Late Husband Asad And The Memories They Conjure. Sifting Through Them On Restless Afternoons And Sleepless Nights, Mala Summons Ghosts From Her Childhood, Relives The Heady Days Of Love And Optimism When Asad And She Robustly Defied Social Conventions To Build A Life Together&Mdash;And Struggles To Understand How Events Far Removed Could So Easily Snatch Away The Certainties They Had Always Taken For Granted. As Their Story Unfolds, Others Emerge: Of Sara, Mala And Asad&Rsq...
The Art of Dying and Other Stories
Twenty stories of contemporary Indian life by an astonishingly original writer This striking collection of stories demonstrates the remarkable range of one of Indiaýs most accomplished writers. Sometimes comic, yet tinged with sadness, as in ýThe Remains of the Feastý where an old woman near the end of her life suddenly feels the urge to sample all the food she has been forbidden; sometimes with a twist as in ýGajar Halwaý where Chellamma, a servant girl from a small town finally understands what makes a big city work; sometimes moving as in ýThe Reprieveý, and always executed with a precision of style and magical imagery, these stories never fail to surprise and delight.
Feminist Perspective in Githa Hariharan’s Novels
I have gone through Dr. Rajesh Latane and Dr. Shehjad Sidiquii book entitled, “Feminist Perspective in Githa Hariharan’s Novels”, the book consisted Seventh Chapters the first chapter presents. The rise and development of feminism has been sharply focused. Further, a brief profile of life and works of Githa Hariharan is also put forth. A round-up review of major novels crafted by Githa Hariharan is neatly presented. Besides, literary influence on Githa Hariharan has also been given. Second to sixth chapters writer deal with the feminist perspective of Githa Hariharan novels like in “The Thousand Faces of Night”, “The Ghosts of Vasu Master”, “When Dreams Travel”, “In Times...
When Dreams Travel
&Lsquo;The Powerless Must Have A Dream Or Two, Dreams That Break Walls, Dreams That Go Through Walls As If They Are Powerless.&Rsquo; A Magical Tour De Force By A Writer At The Height Of Her Powers, When Dreams Travel Weaves Round Scheherazade&Mdash;Or Shahrzad Of The Thousand And One Nights&Mdash;A Vibrant, Inventive Story About That Old Game That&Rsquo;S Never Played Out: The Quest For Love And Power. The Curtain Opens On Four Figures, Two Men And Two Women. There Is The Sultan Who Wants A Virgin Every Night; There Is His Brother, Who Makes An Enemy Of Darkness And Tries To Banish It; And There Are Their Ambitious Brides, The Sisters Shahrzad And Dunyazad, Aspiring To Be Heroines&Mdash;Or Martyrs. Travelling In And Out Of These Lives To Spellbinding Effect Is A Range Of Stories, Dark, Poetic And Witty By Turns, Spanning Medieval To Contemporary Times. With Its Sharp And Lively Blend Of Past And Present, Its Skilful Reworking Of The Historical Tradition, And Its Controlled Use Of Evocative Language, Githa Hariharan&Rsquo;S Multi-Voiced Narrative Assumes The Significance Of Modern Myth.
The Ghosts Of Vasu Master
An Extraordinarily Moving Tale Of A Small-Town Schoolteacher. The New Novel From The Winner Of The Commonwealth Writers Prize For Best First Novel Vasu Master Has Recently Retired From His Job In A Local School. Away From The Familiar Circumscribed World Of School, Principal And Classroom, He Begins To Relive Incidents From The Past And Discover In His Own Halting But Imaginative Way The Nature Of Teaching, Teacher And Pupil. This Process Of Self-Discovery Is Speeded Up By The Arrival Of Mani, Who Cannot-Or Will Not-Speak. Vasu Master Tells The Reticent Child One Fantastic Story After The Other As He Faces Up To The Biggest Challenge Of His Life: Can He Teach (Or Heal) Mani? Using Fantasy, Fable And A Host Of Wonderfully Imagined Characters-And The Gentle, Humane And Philosophic Voice Of Vasu Master-The Author Creates A Richly Textured And Complex Work That Eloquently Explores The Human Condition And The Underlying Principles Of All Human Action.
I Have Become The Tide
Where is that land where water flows free? A powerful, beautifully imagined novel from Githa Hariharan asks when the tide will turn to make this dream real. Hundreds of years ago, Chikka, son of a cattle skinner, finds a home in Anandagrama, among people who believe everyone is equal; people whose prayer is inseparable from song and work, the river and the land, friendship and love. Chikka becomes Chikkiah the washerman who sings by his beloved river. But the Anandagrama movement against caste is torn apart, and its men and women slaughtered or forced to flee. In the present day, Professor Krishna makes a discovery. The saint-singer Kannadeva is none other than the son of Chikkiah. The poets...
Mythology and Reality in Githa Hariharan's "The Thousand Faces of Night"
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: gut, University of Cologne (Anglistik), course: Myth and History in the Writing of Indian Novelists in English, 12 entries in the bibliography, language: English, abstract: "The Thousand Faces of Night" is not just a womanist novel but it is a definite feminist writing in which myths are revisioned, rewritten, and retold from a female point of view. The focus of the novel is on the inner lifes of women, the 'inner spaces' are reflected in detail. The analysis on hand sets its central focus on the relation between myth or stories and the women in the Novel. It presents how the female point of view differs from the male discourse, especially by contrasting myths form the Mahabharata with stories from the Sanskrit. A brief explanation about Manu is included, as well as a rudimentary interpretation of Gita Hariharan's use of metaphors are included.
