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This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.
Giuseppe Verdi was born in obscurity in a tiny Italian village in 1813. When he died in 1901, hundreds of thousands of people turned out to pay their respects to the man whom many people consider as the best opera composer of all time. His career spanned more than half a century and included such successes as Rigoletto, La Traviata, Il Trovatore, Otello, Falstaff, and Aida, the most often-performed work at New York s Metropolitan Opera. Yet when he applied at a famous music school in Milan, he was turned down because he was lacking in musical talent. He not only proved the school wrong but became an important figure in Italian politics during the turbulent era when the scattered provinces came together to form a new nation. Along the way, he overcame obstacles such as the death of his first wife and two small children and the humiliation of being booed during the premiere of one of his early operas.
As one of few composers to be considered a giant in the realm of universally accepted operatic works as well as a source of national Italian identity, Giuseppe Verdis repertoire is one of the most widely performed in history. Although much of Verdis life remains a mystery, the composers insistence on his peasant upbringing was somewhat untruthful; he grew up comfortablya learned man. Detailing Verdis confused past, this book aims to confirm the world-renowned composers personal history as well as debunk any of the embellishments the ageing maestro promulgated himself.
First Published in 1998. Giuseppe Verdi already stood out as a distinctive and unusually significant composer by the time his career was barely underway. Today, Verdi scholars build their work on a vast foundation of earlier research. For researchers who have not spent years with the Verdi literature or who may just be starting to explore some aspect of this giant’s fife and works, this foundation may seem daunting indeed. It is primarily for these researchers that this guide is intended. Its purpose is to index and describe some of the most significant studies about the composer, presenting enough material in annotations that researchers may survey the many myriad directions Verdi research has gone, ascertain the relevance of individual items to their individual interests, and pursue significant patterns and threads in which they are interested.
The operas of the Italian composer Giuseppe Verdi are among the greatest achievements of nineteenth century culture and remain at the heart of the opera repertory today. His extraordinary works took the opera world by storm, transforming and dominating the world of opera for over 30 years. Verdi modified the rigid conventions of the bel canto style, which had previously depended on the showcasing of singers at the expense of dramatic values. He changed this system to form an overall dramatic masterpiece, giving the singers melody and brilliance in ample measure. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the ...
A translation of Baldini's acclaimed study of verdi's operatic masterpieces, with new editorial additions.
(Limelight). This book relates the life and experiences of composer Giuseppe Verdi, from his birth in 1813 to his death in 1901. Besides documenting Verdi's life and the music he created, it also goes further in discussing the times and culture in which he was living in 19th century Italy, both socially and politically. "A complete life-to-death biography, wonderfully comprehensive on both life and art, wonderfullly sensible, and splendidly gotten up." The Boston Herald
Abramo Basevi published his study of Verdi’s operas in Florence in 1859, in the middle of the composer’s career. The first thorough, systematic examination of Verdi’s operas, it covered the twenty works produced between 1842 and 1857—from Nabucco and Macbeth to Il trovatore, La traviata, and Aroldo. But while Basevi’s work is still widely cited and discussed—and nowhere more so than in the English-speaking world—no translation of the entire volume has previously been available. The Operas of Giuseppe Verdi fills this gap, at the same time providing an invaluable critical apparatus and commentary on Basevi’s work. As a contemporary of Verdi and a trained musician, erudite scho...
Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff. When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up dreaming of a time when the peninsula might be governed by Italians. When this was achieved, in 1861, he became a deputy in the first all-Italian parliament. While in his 20s, Verdi lost his two children and then his wife (many Verdi operas feature poignant parent-c...