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A obra que ora apresentamos ao leitor se inclui no âmbito de um processo mais amplo de reflexão e ressignificação do estudo do Direito e do Direito Privado na contemporaneidade. A complexidade do mundo da vida, inerente a uma sociedade secularizada, recusa o abstracionismo oitocentista e suas classificações e categorias herméticas por evidente insuficiência em explicar a dinâmica do fenômeno jurídico. Através do olhar aguçado de alguns dos mais modernos e estudiosos juscivilistas, vindos dos quatro cantos do Brasil, as instituições do Direito Privado se revelam entrelaçadas, conectadas e coimplicadas em textos que evidenciam que a função do Direito na vida das pessoas somen...
There are four rules to the old, painted music box:Wind the box three times only. Never wind the boxwhile the music plays. Never shut the box while themusic plays. Never move the box until the musicstops.Leo wouldn't dream of breaking these rules, but hisstubborn cousin Mimi never does what she's told.She winds the box four times--and suddenly thepaintings on its side come to life and a powerfulwitch is released. Now Leo and Mimi must stop thewitch, if only they can find the key to the musicbox--and the magical world it contains.
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follow...
A consensus has recently emerged among academics and policymakers that US copyright law has fallen out of balance. Lawmakers have responded by taking up proposals to reform the Copyright Act. But how should they proceed? This book offers a new and insightful view of copyright, marking the path toward a world less encumbered by legal restrictions and yet richer in art, music, and other expressive works. Two opposing viewpoints have driven the debate over copyright policy. One side questions copyright for the same reasons it questions all restraints on freedoms of expression, and dismisses copyright, like other forms of property, as a mere plaything of political forces. The opposing side regar...
Adam Sabir has discovered the missing quatrains of Nostradamus, and the events they foretell are coming true. But there's one prophecy he can't fully decipher, and it warns of the imminent arrival of the Third Antichrist. Sabir's every move is the Corpus Maleficus, an ancient cabal devoted to serving the Antichrist. Disfigured, orphaned, groomed for cruelty and violence, they are prepared to do anything to stop him. As Sabir puzzles over the riddle, a descendant of the Mayans embarks on a dangerous journey. He must deliver a sacred codex to the Palace of the Masks. Only then can the secret of Nostradamus' prophecy be revealed...
How big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. “[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed.” —The Wall Street Journal “Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires.” —Financial Times Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broa...
Shapiro shows how the Net allows individuals to take power from institutions, causing hierarchies to unravel in politics, commerce, and social life, and that the result is not as ideal as cyber-utopianists would have us think.
In March 2006, the residents of 911 Prestes Maia, a ramshackle tower block in the centre of Sao Paulo, were surprised to learn that they were to be evicted within 28 days. The building, neglected by its landlord and thought to be empty, was actually home to 468 families with 315 children. These residents had driven out the vermin and the drug dealers and cleaned the place up - creating possibly the largest squat in the world. Bittencourt's photos are a powerful record of this diverse community.
During the past fifteen years, changes in technology have generated an extraordinary array of new ways in which music and movies can be produced and distributed. Both the creators and the consumers of entertainment products stand to benefit enormously from the new systems. Sadly, we have failed thus far to avail ourselves of these opportunities. Instead, much energy has been devoted to interpreting or changing legal rules in hopes of defending older business models against the threats posed by the new technologies. These efforts to plug the multiplying holes in the legal dikes are failing and the entertainment industry has fallen into crisis. This provocative book chronicles how we got into this mess and presents three alternative proposals--each involving a combination of legal reforms and new business models--for how we could get out of it.