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Legend of the Walking Dead
Legend of the Walking Dead: Igbo Mythologies is a journey into the mysteries of life and death of the Igbos of Nigeria. The book draws readers into the Igbo people’s ancient and traditional beliefs about life and death. There is a very thin line dividing the land of the living and the land of the dead, so thin that spirits from both lands coexist. Sometimes, during the story, it is difficult to differentiate between the living and the dead. Both have bodies; the living existing in their bodies, while the dead exist in (are using) borrowed bodies. Fifteen-year-old Osondu has disappeared. His mother goes searching for her son and faces the same fate. She too goes missing. The gods are ever present, in control, and minister to both the living and the dead. This is because the gods minister to the spirits, not the bodies that harbor them. To the gods, the spirits of both the living and the dead are ever alive. The world of the traditional Igbo society is a world in which the dead visit and interact easily with the living. It is also a world in which most of the time the living are at the mercy of the gods.
Samuel Akpabot
Samuel Akpabots life tells a unique story of an incredible and fascinating journey encompassing over six decades. The life, music, and scholarly effervescence of Samuel Akpabot are indeed an epitome of intercultural musicology. The odyssey reveals a motion through a tri-cultural enclave in Africa, England, and the United States. The fundamental seed sown into the young Akpabot at Kings College and the Cathedral Church of Christ Choir, Lagos, ultimately blossomed into full Professorship at the University of Uyo and international stardom. His creative experience attests to the squirm that the first and second generation of Nigerian composers had to contend with to create indigenous African art...
Joy Nwosu Lo-Bamijoko
Joy Nwosu Lo-Bamijoko is a professionally trained operatic soprano, music educator, music critic, African ethnomusicologist, broadcaster, skits writer, choral conductor, and songwriter. Joy Nwosu was trained in operatic soprano in Italy and received her Ph.D. in music from the University of Michigan, Ann Arbor; making her the second Nigerian female to earn a doctorate in music. This book addresses thought provoking issues such as feminist gender, it’s a man’s world, and the Nigerian factor. Other pertinent issues narrated in the book include the efficacy of prayer and spectacular triumphs by the power of God. The saga of Joy Nwosu encapsulates the ordeal women are constantly subjected to...
Christopher Oyesiku
CHRISTOPHER OYESIKU dazzled the Nigerian elitist music caucuses with his extraordinary bass voice and God-gifted talent for well over six decades. His outstanding performances brought smiles, laughter, joy, and admiration to the faces of his faithful patrons, patronesses, and audiences. Nigeria has never seen nor heard anything like Oyesikus magnifi cent voice that is best described as bel canto and basso profundo. With this sonorous voice, he always leaves an impeccable and memorable impression on his ardent afi cionados. He has performed before the cream of Nigerian society, African nations, dignitaries, and indeed, the Royal Family in Great Britain. Oyesiku is a professionally trained cla...
Five Decades of Music Transmutation in Nigeria and The Diaspora
Half a century of music making in Nigeria has indeed witnessed giant strides, development, transformation, assimilation, and acculturation. This book succinctly presents a holistic discourse of musicality in Nigeria from the 1960s through the technological age of the 21st century transmitted through European and American cultures. It examines cogent topics such as traditional and popular music, art music, church music, choral activities, composers and their works, performance practices, maintenance of musical instruments, the impact of radio and television stations, feminine quantum leaps, music publishing, music technology, archival centers, copyright society, Nollywood music, and music entrepreneurship.
Glory to God (Purple Pew Edition, Ecumenical)
This new book of congregational song will include: Over 800 hymns, psalms, and spiritual songs. Approximately 50% of included hymns will be from the 1990 Presbyterian hymnal. The remaining pieces will come from former Presbyterian hymnals, other denominational songbooks, and individual authors and composers. A musical setting of almost every Sunday lectionary psalm. Music from six different continents. Music covering all major historical and contemporary sacred genres, including approximately thirty-five African American/Gospel hymns. Comprehensive indexes. Glory to God will also contain worship aids and printed liturgies for Sunday services (including baptism and the Lord's Supper) and serv...
The Organ
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Samuel Akpabot
Samuel Akpabot's life tells a unique story of an incredible and fascinating journey encompassing over six decades. The life, music, and scholarly effervescence of Samuel Akpabot are indeed an epitome of intercultural musicology. The odyssey reveals a motion through a tri-cultural enclave in Africa, England, and the United States. The fundamental seed sown into the young Akpabot at King's College and the Cathedral Church of Christ Choir, Lagos, ultimately blossomed into full Professorship at the University of Uyo and international stardom. His creative experience attests to the squirm that the first and second generation of Nigerian composers had to contend with to create indigenous African a...
On African Music
Written by one of the best-known academic writers on African music, On African Music is a collection of seven essays addressing various techniques, influences, and scholarly approaches to African music. After a concise introduction spelling out the rationale for the book, successive chapters develop answers to questions such as: How does a "minimalist impulse" animate creativity in Africa, and does "Western minimalism" differ from "African minimalism"? How do we explain the prevalence of iconic effects in African expressive forms? How has (European) tonality functioned as a "colonizing force" in African music? Why is the (written) art music of the continent talked about so little when it has...
The African Imagination in Music
The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into pop...
