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The Blind Matriarch
The blind matriarch, Matangi-Ma, lives on the topmost floor of an old house with many stories. From her eyrie, she hovers unseeingly over the lives of her family. Her long-time companion Lali is her emissary to the world. Her three children are by turn overprotective and dismissive of her. Her grandchildren are coming to terms with old secrets and growing pains. Life goes on this way until one day the world comes to a standstill-and they all begin to look inward. This assured novel records the different registers in the complex inner life of an extended family. Like the nation itself, the strict hierarchy of the joint-family home can be dysfunctional, and yet it is this home that often provi...
Paro
Paro Is A Heroic Temptress, Alluring And Rapacious, The Stuff Of Legend. As She Wanders Through The World Of Privilege And Scotch Whisky That The Urban Rich Inhabit, She Is Constantly Observed By The Acid Priya, Eternal Voyeur And Diarist& This Is A Dazzling Moral Tale, Sharp, Sexy And Funny.
Things to Leave Behind
A rich, panoramic historical novel shows you Kumaon and the Raj as you have never seen them It is 1856, in picturesque Kumaon. History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians, and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic—and Namita Gokhale’s most ambitious novel yet.
In Search Of Sita
Sita is one of the defining figures of Indian womanhood, yet there is no single version of her story. Different accounts coexist in myth, literature and folktale. Canonical texts deify Sita while regional variations humanize her. Folk songs and ballads connect her timeless predicament to the daily lives of rural women. Modern-day women continue to see themselves reflected in films, serials and soap operas based on Sita’s narrative. Sacrifice, self denial and unquestioning loyalty are some of the ideals associated with popular perceptions of Sita. But the Janaki who symbolized strength, who could lift Shiva’s mighty bow, who courageously chose to accompany Rama into exile and who refused ...
A Himalayan Love Story
A story of unrequited love. This is the story of Parvati, young, beautiful and doomed, and Mukul Nainwal, the local boy made good who returns to the Nainital of his youth to search for the only woman he has ever loved, a search that will bring him face to face with all that he has lost and can never reclaim.
Book of Shiva
Shiva: Destroyer and Protector, Supreme Ascetic and Lord of the Universe. He is Ardhanarishwara, half-man and half-woman; he is Neelakantha, who drank poison to save the three worlds-and yet, when crazed with grief at the death of Sati, set about destroying them. Shiva holds within him the answers to some of the greatest dilemmas that have perplexed mankind. Who is Shiva? Why does he roam the world as a naked ascetic covered with ash? What was the tandava? What is the story behind the worship of the linga and what vision of the world does it signify? Namita Gokhale examines these questions and many others that lie within the myriad of stories about Shiva. Even as she unravels his complexities, she finds a philosophy and worldview that is terrifying and yet life affirming-an outlook that is to many the essence of Indian thought.
The Habit of Love
Key Features A collection of elegantly told stories about women by a well-known writer. About the Book: The Habit of Love Collection of stories offering a profound insight into the female mind!. The Habit of Love is a collection of stories about the inner lives of women. Some of these women inhabit the ancient past, some the present day but they share the whimsical humour with which they speak of themselves. Journalist Madhu Sinha strikes up a friendship with a young man the same age as her indifferent children; a messenger swan relates the story of the doomed lovers Nala and Damayanti; Vatsala Vidyarthi suspects her one night stand of stealing her money.
The Puffin Mahabharata
‘A long, long time ago, in the ancient lands of India, known in those days as Bharatvarsha, a family quarrel grew into a bloody war. There had been wars before, and there have been wars since, but that mighty battle between warring cousins of the Kuru clan has become a part of the mythology and history of India. Told and retold a million times, the story of the Mahabharata is about defeat as much as victory, about humility as much as courage. It is the greatest story ever told.’ Like a modern-day suta or storyteller, Namita Gokhale brings alive India’s richest literary treasure with disarming ease and simplicity. She retells this timeless tale of mortals and immortals and stories within stories, of valour, deceit, glory and despair, for today’s young reader in a clear, contemporary style. A brilliant series of evocative and thoughtful illustrations by painter and animator Suddhasattwa Basu brings the epic to life in a vibrant visual feast. Matchless in its content and presentation, The Puffin Mahabharata is a book that will be cherished by readers of all ages.
Mountain Echoes: Reminiscences of Kumaoni Women
‘The history of women is left to us in folklore and tradition, in faintly-remembered lullabies and the half-forgotten touch of a grandmother’s hand, in recipes, ancestral jewellery, and cautionary tales about the limits of a woman’s empowerment. Mountain Echoes describes the Kumaoni way of life through the eyes of four highly-talented and individualistic women. Their recollections mirror a social universe that no longer exists, that has been dissolved in the mainstream of modernization and urbanization, of democracy, education and emancipation. Shivani, Tare Pande, Jiya, and Shakuntala Pande were all alive and well when this book was first published in 1998. In the midst of all the rapid and unrecognizable charge that surrounds us, their stories and their memories are distilled into an even more precious evocation of times past.’
Jaipur Journals
Jaipur Journals is about the writing life and how writers search pattern and design amidst the unstructured chaos of the lived life.
