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Times of Creative Destruction
Times of Creative Destruction is about the years that followed the end of WWII, one of the most seminal and dramatic epochs in human history, during which extraordinary star-buildings were born, cities exploded, and an unprecedented world of a ‘Third Ecology’ emerged. Never before was there such a flurry of daring mega-constructions, such daring spatial acrobatics, ‘star’ buildings by star architects attained by star developers, mega-constructions, technological feats, and flourishing spatial acrobatics. But, for all its exhilarating creativity, this was also an era of unanticipated, intractable, irreversible destruction reducing the uniqueness and diversity of cultural, social and e...
Contested Urban Spaces
This book takes the urban space as a starting point for thinking about practices, actors, narratives, and imaginations within articulations of memory. The social protests and mobilizations against colonial statues are examples of how past injustice and violence keep on shaping debates in the present. Following an interdisciplinary approach, the contributions to this book focus on the in/visibility and affective power of monuments and traces through political, activist, and artistic contestations in different geographical settings. They show that memories are shaped in contact zones, most often in conflict and within hierarchical social relations. The notion of decentered memory shifts the perspective to relationships between imperial centers and margins, remembrance and erasure, nationalistic tendencies and migration. This plurality of connections emerges around unfinished histories of violence and resistance that are reflected in monuments and traces.
I Am The Dark Tourist
Dark tourism is the practice of visiting sites associated with death and disaster. Participation is increasing, yet the machinations behind dark tourism remain shrouded in mystery, and intentionally so. This book, a companion to I Am The Dark Tourist Travels to the Darkest Sites on Earth, explores the seductive premise of 'transformation' that dark tourism offers: that visiting memorials to past tragedy will ultimately lead us to become better versions of ourselves. Championed by enthusiastic governments — notably in the UK — 'must have' memorialisation provides an opportunity to engage the public with contrived grief from the past to be replaced by establishment neglect in the future. From the waters of Loch Ness to the chaos of Mexico's Dia de Muertos, H.E. Sawyer considers the questions feared by state-sponsored dark tourism, and poses one of his own: "Ever get the feeling you've been cheated?"
The Past Can't Heal Us
Lea David exposes the dangers and pitfalls of mandating memory in the name of human rights in conflict and post-conflict settings.
Transforming Heritage in the Former Yugoslavia
Heritage became a target during the Yugoslav Wars as part of ethnic cleansing and urbicide. Out of the ashes of war, pasts were remodelled, places took on new layers of meaning, and a wave of new memorialization took hold. Three decades since the fall of Vukovar and the end of the siege of Sarajevo, and more than a decade since Kosovo’s Declaration of Independence, conflict has shifted from armed confrontations to battles about the past. The former Yugoslavia has been described on the one hand as a bastion of plurality and multiculturalism, and on the other, as a territory of antagonism and radical nationalisms, echoing imaginaries and narratives relevant to Europe as a whole. With Croatia...
Border Heritage
Border Heritage opens new insights in migration studies through analysis of the same emblematic eastern-central European borderland in Trieste, crossed by four refugee migrations over 70 years of history (1945–2022). Born from a dual personal and professional perspective, the book’s original structure starts from the Ukrainian displacement, going back to the asylum seekers arriving via the Balkans, then to refugees from the former Yugoslavia, and the exodus from Istria after the Second World War; the second part focuses on places, objects, and displaced memories. Each chapter begins with a particularly significant account by a refugee, which anchors the argument in everyday life and give...
The Divided City and the Grassroots
Focusing on Mostar, a city in Bosnia Herzegovina that became the epitome of ethnic divisions during the Yugoslav wars, this cutting edge book considers processes of violent partitioning in cities. Providing an in-depth understanding of the social, political, and mundane dynamics that keep cities polarized, it examines the potential that moments of inter-ethnic collaboration hold in re-imaging these cities as other than divided. Against the backdrop of normalised practices of ethnic partitioning, the book studies both ‘planned’ and ‘unplanned’ moments of disruption; it looks at how networks of solidarity come into existence regardless of identity politics as well as the role of organi...
The Right to Memory
The field of memory studies has typically focused on everyday memory and commemoration practices through which we construct meaning and identities. The Right to Memory looks beyond these everyday practices, focusing instead on how memory relates to human rights and socio-legal constructs in order to legitimize and protect groups and individuals. With case studies including Polish Holocaust Law, the Indian origins of Amartya Sen's capability theory approach, and the right to memory through digital technologies in Brazilian and British museums, this collected volume seeks to establish the right to memory as a foundational topic in memory studies.
Urban Comics
Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to...
Palestinian Theatre in the West Bank
Since the 1990s, Palestinian theatrical activities in the West Bank have expanded exponentially. As well as local productions, Palestinian theatre-makers have presented their work to international audiences on a scale unprecedented in Palestinian history. This book explores the histories of the five major theatre companies currently working in the West Bank: Al-Kasaba Theatre, Ashtar Theatre, Al-Harah Theatre, The Freedom Theatre and Al-Rowwad. Taking the first intifada (1987-93) as his point of departure, and drawing on original fieldwork and interviews with Palestinian practitioners, Gabriel Varghese introduces the term ‘abject counterpublics’ to explore how theatre-makers contest Zion...
