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Indira Bai, born in an orthodox Saraswat Brahmin family in the small town of Kamalapura, is married and widowed as a child. The bright, curious girl resists forces of social conservatism—the mindless chores and cruel rituals of widowhood. To reform her, the head of the religious mutt is brought in. When he tries to seduce her, a distraught Indira runs away to eminent lawyer Amrita Raya’s house. Encouraged in her pursuit of knowledge and freedom, Indira acquires a matriculation degree and later chooses to marry Assistant Collector Bhaskara Rao. This novel, laced with feminist intent, traces Indira’s self-fashioning into a modern, educated, and assertive woman. Published in 1899, Indira Bai documents the transformation of the Saraswat Brahmin community based in the erstwhile South Canara region of Karnataka due to the encounter between the Kannada social world and colonial modernity. Simultaneously, this text of social history represents the pan-Indian churning provoked by the reform movement in the nineteenth century, with its central focus on the condition of women.
This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975.
"Intensely involved yet withdrawn, unbending, lofty, cool and fearless, Indira made a unique leader."--
From Kannada's first Jnanpith award winner, a landmark of modern fiction that documents a vanishing world. When Hoovayya and Ramayya return from their studies in the city to their ancestral home, much has changed, throwing the even tenor of village life out of joint. The entry of Subbamma, the young wife of much-married Chandrayya Gowda into the House of Kanooru, sets in motion an irrevocable chain of events which signify the coming of age of a resolutely traditional society. Acutely conscious of the burden of their education amidst the torpor of manorial life, the brothers are forced to witness the descent into cruelty of Chandrayya Gowda, who breaks old familial ties, and demands an imposs...
Political and academic interest in the idea of the Brahmin notwithstanding, there has been virtually no engagement with the Brahmin as an embodied person or community. This book seeks to address this intriguing paradox in the context of Brahmins in modern-day Karnataka. The book argues that the multivalent worlds of contemporary caste demand that we constantly innovate different modes of approaching it. With this intent, it positions itself against the monographic form and weaves together an ethnography with diverse research techniques such as archival documents, literary works and published writings of caste associations. The Brahmin today, the author argues, cannot be adequately understood as a caste-self that masks its casteness in order to present itself as a secular self. Neither can the Brahmin be seen as a subject that has successfully transcended casteness. As the title of the book suggests, the central tensions that animate the Brahmin self is that of being both Brahmin and modern.
There is clearly an academic and political obsession with the ‘idea’ of the Brahmin. There is also, simultaneously, a near-complete absence of engagement with the Brahmin as an embodied person or community. This book addresses this intriguing paradox by making available a sociological description of the Brahmins in today’s Karnataka. It pursues three distinct, yet enmeshed, registers of inquiry – the persona of the ‘Brahmin’ embodied in the agency of the individual Brahmin; the organised complexes of action such as the caste association and the public culture of print; and finally, taking off from a longer (yet, modern and contemporary) history of non-Brahminical othering of the ...
‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article...
This Volume Brings Together Fourteen Essays Written By Literary Critics, Historians And Political Theorists Which Look At The Early Novels In Different Indian Languages And The Circumstances Of Their Production. Most Of The Essays Challenge The Old Assumption That The Novel In India Was A Genre Directly Imported From The West, And Address The Issues Of Plural Heritage And The Economic And Social Determinants That Interacted To Make The Shaping Of This Literary Form A Tangled And Complex Process In Our Languages.
The backbone of any nation is its youth as their thought process and attitude is always positive and dynamic. Impediments never bother them. What they require is a direction and proper channelization of their energies. This purpose can be achieved only through constant dialogue and discussion between the intellectuals, men of wisdom and youth. The eminent and experienced functionaries in the hierarchy of Rashtriya Swayamsewak Sangh (RSS) have regular meetings and dialogues on various matters, to provide guidance and direction to the youth. In furtherance of the above objective, a group meet of the young professionals from the fields of Information Technology (IT) and Management was organized on 4th January 2009 in New Delhi. Shri (Dr.) Mohan Rao Bhagwat, Sarsanghchalak, RSS was invited to address the audience. His views were extremely thought-provoking and educative. The book 'The Role of Youth in Nation Building’ contains Shri Mohan Bhagwat’s address and his interaction with the youth.