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Imagining Landscapes: Paintings by Helen Frankenthaler, 1952–1976
This gorgeously illustrated volume offers new perspectives on Helen Frankenthaler’s art, taking a detailed look at her large-scale paintings that allude to landscapes, both real and imagined. Helen Frankenthaler (1928–2011) has long been recognized as one of the great American artists of the twentieth century. A member of the second generation of postwar American abstract painters, she is widely credited with expanding the possibilities of abstraction through her invention of the soak-stain technique, while at times referencing figuration and landscape in highly personal ways. This volume explores references to landscape in Frankenthaler’s paintings over a period spanning more than two...
Fierce Poise
A National Book Critics Circle finalist • One of Vogue's Best Books of the Year A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as an artist in postwar New York “The magic of Alexander Nemerov's portrait of Helen Frankenthaler in Fierce Poise is that it reads like one of Helen's paintings. His poetic descriptions of her work and his rich insights into the years when Helen made her first artistic breakthroughs are both light and lush, seemingly easy and yet profound. His book is an ode to a truly great artist who, some seventy years after this story begins, we are only now beginning to understand.” ―Mary Gabriel, ...
Helen Frankenthaler
This extraordinary examination of the work of 'colour field' painter Helen Frankenthaler overturns assumptions about the artist, whose work has been burdened by its label as 'the bridge between Pollock and what was possible'. Trained as a painter, Alison Rowley brings a keen eye to Frankenthaler's paintings, returning to the fore the artist's debt not only to Jackson Pollock but also to Cezanne, and speculating for the first time as to her artistic responses to wider political events, in particular the Rosenberg trial. Making a fascinating case, too, for the connections between the 'breakthrough' work 'Mountains and Sea' and Lily Briscoe's painting in Virginia Woolf's novel 'To the Lighthouse', this beautifully written book provides crucial new insights into Frankenthaler's practice, as a painter who is also a woman.
Line Into Color, Color Into Line
This striking new book features 18 paintings by the renowned American abstract painter Helen Frankenthaler. Showcasing eighteen of Frankenthaler’s paintings, dating from 1962 to 1987, this beautiful book highlights the diverse relationship between drawing and painting evident in the artist’s work. The book includes color plates of all 18 works, as well as nine double-page spread details. Never-before-published documentary material appears throughout new and insightful texts by John Elderfield, Francine Prose, and Carol Armstrong. This book accompanies the 2016 exhibition of Frankenthaler’s work at Gagosian Gallery Beverly Hills.
Dancing Through Fields of Color
They said only men could paint powerful pictures, but Helen Frankenthaler (1928-2011) splashed her way through the modern art world. Channeling deep emotion, Helen poured paint onto her canvas and danced with the colors to make art unlike anything anyone had ever seen. She used unique tools like mops and squeegees to push the paint around, to dazzling effects. Frankenthaler became an originator of the influential “Color Field” style of abstract expressionist painting with her “soak stain” technique, and her artwork continues to electrify new generations of artists today. Dancing Through Fields of Color discusses Frankenthaler’s early life, how she used colors to express emotion, and how she overcame the male-dominated art world of the 1950s.
Helen Frankenthaler
This striking new book features fourteen paintings and two works on paper by renowned American abstract painter Helen Frankenthaler. Showcasing fourteen of Helen Frankenthaler’s paintings, dating from 1959 through 1962, and two earlier works on paper, this beautiful book highlights a radical and lesser-known body of works unique within the artist’s oeuvre. The book includes color plates of all sixteen works, as well as four single-page and seven double-page spread details. Never before and rarely published documentary photographs appear throughout the book, along with a new and insightful text by John Elderfield. This book accompanies the 2017 exhibition of Frankenthaler’s work at Gagosian Paris.
Helen Frankenthaler: Composing with Color
This exhibition catalogue offers an in-depth look at a brief but critical period in Helen Frankenthaler's career, the years 1962 and 1963, when she "composed with color" rather than with line, resulting in the freer compositions that would become the hallmark of her long and prolific career. These years are notable not only for her development of a personal vocabulary of abstraction, but also for her early experiments with acrylic, rather than oil, paint. The marked new direction of her painting is evident in these vivid canvases, presented beautifully as full-page plates.
"The Heroine Paint"
"Taking Helen Frankenthaler's 1950s New York debut as its starting point, "The heroine Paint": After Frankenthaler, a new publication edited by Katy Siegel, follows Frankenthaler's own painting over the years, expanding its focus to include the immediate social and artistic context of Frankenthaler's work, as well as tracing artistic currents as they move outwards in different directions over the decades. The book collects six scholarly essays, six short texts from contemporary artists, and reprints of historical writing, interweaving these voices with a visual chronology that locates key works from performances, publications, and cultural ephemera from over seven decades."--Publisher description.
