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H Is for Hawk
One of the New York Times’s 100 Best Books of the 21st Century One of the New York Times Book Review's 10 Best Books of the Year One of Slate's 50 Best Nonfiction Books of the Last 25 Years ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20) The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of nature's most vicious predators has soared into the hearts of millions of readers worldwide. Fierce and feral, her goshawk Mabel's temperament mirrors Helen's own state of grief after her father's death, and together raptor and human "discover the pain and beauty of being alive" (People). H Is for Hawk is a genre-defying debut from one of our most unique and transcendent voices.
Vesper Flights
NEW YORK TIMES BESTSELLER SILVER MEDALIST for the National Outdoor Book Award for Natural History Literature From the bestselling author of H is for Hawk, a brilliant and insightful work about our relationship to the natural world Our world is a fascinating place, teeming not only with natural wonders that defy description, but complex interactions that create layers of meaning. Helen Macdonald is gifted with a special lens that seems to peer right through it all, and she shares her insights—at times startling, nostalgic, weighty, or simply entertaining—in this masterful collection of essays. From reflections on science fiction to the true story of an Iranian refugee's flight to the UK, ...
Recovery
The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life. How do we carry on when someone close to us dies? Is it simply a case of putting one foot in front of the other in a bleak new world or do we need something more? Reeling with grief after the sudden death of her father, Helen Macdonald found herself turning to the wild for comfort. With breathtaking honesty and insight, she recounts her months spent taming a goshawk and how, finally, this strange kinship led her to the first tentative steps to recovery. Selected from H is for Hawk VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. A series of short books by the world’s greatest writers on the experiences that make us human. Discover the Vintage Minis ‘Head Space’ series: Therapy by Stephen Grosz Family by Mark Haddon
The Goshawk
DigiCat Publishing presents to you this special edition of "The Goshawk" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Shaler's Fish
“Devoted readers of H Is for Hawk will find Macdonald’s gift for stunning language, patient curiosity, and expansive wisdom on full display in her poems.”—Publishers Weekly From the naturalist and author of the New York Times bestseller H is for Hawk, which appeared on more than twenty-five Best Books of the Year lists, Shaler’s Fish is a collection of poetry that roams both the outer and inner landscapes of the poet’s universe, seamlessly fusing reflections on language, science, and literature with the loamy environments of the natural worlds around her. Moving between the epic (war, history, art, myth, philosophy) and the specific (CNN, Ancient Rome, Auden, Merleau-Ponty), Hele...
Erotic Ambiguities
Art is always ambiguous. When it involves the female body it can also be erotic. Erotic Ambiguities is a study of how contemporary women artists have reconceptualised the figure of the female nude. Helen McDonald shows how, over the past thirty years, artists have employed the idea of ambiguity to dismantle the exclusive, classical ideal enshrined in the figure of the nude, and how they have broadened the scope of the ideal to include differences of race, ethnicity, sexuality and disability as well as gender. McDonald discusses the work of a wide range of women artists, including Barbara Kruger, Judy Chicago, Mary Duffy, Zoe Leonard, Tracey Moffatt, Pat Brassington and Sally Smart. She traces the shift in feminist art practices from the early challenge to partriarchal representations of the female nude to contemporary, 'postfeminist' practices, influenced by theories of performativity, queer theory and postcoloniality. McDonald argues that feminist efforts to develop a more positive representation of the female body need to be reconsidered, in the face of the resistant ambiguities and hybrid complexities of visual art in the late 1990s.
Falcon
Before best-selling author Helen Macdonald told the story of the goshawk in H Is for Hawk, she told the story of the falcon, in a cultural history of the masterful creature that can “cut the sky in two” with the “perfectly aerodynamic profile of a raindrop,” as she so incisively puts it. In talon-sharp prose she explores the spell the falcon has had over her and, by extension, all of us, whether we’ve seen them “through binoculars, framed on gallery walls, versified by poets, flown as hunting birds, through Manhattan windows, sewn on flags, stamped on badges, or winnowing through the clouds over abandoned arctic radar stations.” Macdonald dives through centuries and careens aro...
Patricia Piccinini
This book shows how the artist's concern for the present state of human life on Earth combines with her futuristic imagination to produce art that challenges the way we relate to and understand the everyday world.
Human Remains
Until 1832, when an Act of Parliament began to regulate the use of bodies for anatomy in Britain, public dissection was regularlyand legallycarried out on the bodies of murderers, and a shortage of cadavers gave rise to the infamous murders committed by Burke and Hare to supply dissection subjects to Dr. Robert Knox, the anatomist. This book tells the scandalous story of how medical men obtained the corpses upon which they worked before the use of human remains was regulated. Helen MacDonald looks particularly at the activities of British surgeons in nineteenth-century Van Diemens Land, a penal colony in which a ready supply of bodies was available. Not only convicted murderers, but also Aborigines and the unfortunate poor who died in hospitals were routinely turned over to the surgeons. This sensitive but searing account shows how abuses happen even within the conventions adopted by civilized societies. It reveals how, from Burke and Hare to todays televised dissections by German anatomist Dr. Gunther von Hagens, some peoples bodies become other peoples entertainment.
Possessing the Dead
London, 1868: visiting Australian Aboriginal cricketer Charles Rose has died in Guy's Hospital. What happened next is shrouded in mystery. The only certainty is that Charles Rose's body did not go directly to a grave. Written with clarity and verve, and drawing on a rich array of material, Possessing the Dead explores the disturbing history of the cadaver trade in Scotland, England and Australia, where laws once gave certain officials possession of the dead, and no corpse lying in a workhouse, hospital, asylum or gaol was entirely safe from interference. With a rare blend of curiosity, delight in the unexpected and an eye for detail, award-winning historian Helen MacDonald brings to life this gruesome past to reveal the chicanery at play behind the procuring of bodies for dissections, autopsies and collections.
